NB: This article can be found after the following introductory passages.Before you read this article, please note that, from 1996, I had begun to see numerous visions. I (Pari, the author of this article) did not have experiences involving the ‘grey aliens’ etc. until a later time. Thus, when I began writing my articles, from 1996, I had not known that the Mid-Confluence Aged scientists (who lived about 2500 years ago) had sent beings into the future, on the instructions of the Mid-Confluence Aged gods/rulers, so that these beings (who are referred to as aliens now) can assist Mankind, especially for the re-creation of the Golden Aged world and the Return (of God and ‘past births through the afterlife’). Hence, in earlier articles, all these are not reflected. All these will be explained further, in future books.
From 1996, when I began seeing numerous visions, I was trying to understand what was happening to me. As I was trying to understand this, I began writing all the articles which can be found in this website. Each article is a continuation of the earlier one. So what I had explained in earlier articles were not explained in subsequent articles. This had also allowed me to keep developing what I have to explain. After I had written numerous articles, people were asking me as to which articles they had to read in order to understand something or the other. Thus, in 2015, I began to write books. All the knowledge which a person needs, so as to understand the contents of a book, are given in the book. Thus, a person could understand the contents of a book without having to revert to other articles or books. However, a better understanding could be had through reading the other books. I had also begun writing my first book “Holographic Universe : An Introduction” because I began to have a good understanding on the structure of the Holographic Universe through experiences, guidance from God, research, etc.
It should be remembered that my articles were written while I was trying to understand what was happening to me. So, the emphasis in the articles may have been on my own roles (due to the afterlife of my past births). In my books, I concentrate on just explaining knowledge and not really on giving an explanation on my own role. It should be noted that since there are so many articles, I find it very difficult to update the articles. So there may be information in them which has not been updated. I try my best to keep my eBooks updated.
Aliens, UFOs and Parallel Universes - Page 2
Sat, Jan 15 2011 11:06pm MHT 1 |
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Pari
520 Posts
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Title: Part 26 - Aliens, UFOs and
Parallel Universes - 60,000 Sons of Sagar (1)
Contents: The number of deities who walked out of the divine world
was about 330 million and this is why the Hindu religion is seen as
the religion of the 330 million deities. But the number of people
who were trying to keep their roles in the immortal state until the
end of the cycle was a smaller group. It was these people, who were
trying to give immortality to their roles, who are represented by
the 60,000 children of Sagar in the story. They were referred to by
many names including Vyasa. For convenience, I shall refer to this
groups as the Vyasas. Sagar means ocean and it refers to God
because God's strength and might is like that of an Ocean. All
those who played the role of Vyasa by making making sure that their
roles remain as immortal roles, from the beginning of the Copper
Age, are also those who will be the children of God in the
Confluence Age, at the end of the cycle. All souls are the children
of God. But the deity souls become the special children of God
during the Confluence Age because they become like God during the
Confluence Age. One becomes like God when their spiritual energies
become divine like that which God has. However, God is an Ocean
where spiritual strength and energies are concerned whereas we are
like a drop in comparison. So we cannot try to take God's place. We
can only be instrumental by filling ourselves with God's energies
during the Confluence Age. When we are filled with God's energies,
during the Confluence Age, we are Bapsaman or equal to God and
God's vibrations flow out from us or via us into the corporeal
world. When we are filled with God's vibrations, our own ordinary
spiritual energies transform into the powerful divine energies
which is how God's light energy is like. Since our spiritual
energies are like that of God's, when our stage is good, we are the
children of God during the Confluence Age because we are like him
where the soul is concerned. God is the Supreme Soul and He does
not have a corporeal body. As souls, when we become like him, we
are His children because we look like Him even though we are not
Him. We are also the children of God because God is taking care of
us and is providing us with a special divine world. Parents take
care of their children and provide them with everything that they
need and this is what God is doing now in the Confluence Age, so as
to get the divine world re-created. As the children of God, we are
also used as instruments in the purification of the souls who had
walked out of the divine world and to transform the world back into
the divine world. In the story, the 60,000 souls were referred to
as the sons of Sagar because they are deity souls who had
transformed to become like God during the Confluence Age. In the
story, Sagar had 2 wives, Keshini and Sumati. The Hindu God Shiva
appeared before King Sagar and his 2 queens and He informed them
that one of Sagar's wives, Sumati, would have 60,000 proud and
heroic sons who will all perish without heirs. Shiva also informed
that Sagar's race will be continued by the one son who Keshini will
give birth to. Thus, 60,000 sons were born to Queen Sumati. And
Queen Keshini gave birth to a son who was named Asamanja. This
represents the 2 groups which the deity souls had split into at the
beginning of the Copper Age. The first group of 60,000 sons
represented the Vyasas who tried to make their roles immortal until
the end of the cycle. They were the ones who guide the people in
the west and all non-deity souls. Their not having any heirs
represents that their race will not continue to exist in the divine
world. The people of the west refers to the Christians and to all
other non-deity souls. There will be a huge group of them at the
end of the cycle and so a huge group represents this group. The
ones who walk into the divine world will be a very small group and
so one one son was used to represent them. That son, called
Asamanja, is shown as growing up into a wicked prince because
because the vices have emerged to take control from the beginning
of the Copper Age. But his descendants are shown as being of good
character because they represent the good ones who try to bring in
the Confluence Age again through bhakti or penance.
Om Shanti
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| Sat, Jan 15 2011 11:09pm MHT 2 |
Pari
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Title: Part 27 - Aliens, UFOs and
Parallel Universes - 60,000 Sons of Sagar (2)
Contents: Since the soul who plays the role of Bhagirath will be
the one who continues the deity race by being King of the first
kingdom in the new heavenly world, and since the bhakti which he
does turns into the Hindu religion, which remains in Bharath until
the end of the cycle, he is shown as a descendant from the wive who
continued Sagar's race. The bhakti which is done in India helps to
keep the ancient requests in the air until the Confluence Age
begins. These ancient requests had requested God to come and
re-create the divine world again through enabling us to use the
deity roles again. I have explained this in my other videos and so
I am not going into the details of that here. Continuing Sagar's
race is continuing the Confluence Aged Dynasty into the divine Sun
Dynasty of the New Age. The Confluence Aged Dynasty and the Sun
Dynasty have often been portrayed as “one leading into the other”
in the stories, like as if they are all the same dynasty. It has
been portrayed in this way because the Confluence Aged Dynasty
leads into the Sun Dynasty. There are also Confluence Aged souls
who will transform and walk into the New Age to become the parents
of the children of the Sun Dynasty. Since the spiritual atmosphere
is very powerful, these people who “walk in” will be influenced to
remain in a spiritual stage which the Sun Dynasty members will
have, even though when they take their births later, it may not be
in the Sun Dynasty. Bhagirath is shown as a king of the Ikshvaku
dynasty because the soul, which plays the role of Bhagirath,
belongs to God's dynasty during the Confluence Age. Through being a
member of the Ikshvaku dynasty, the soul becomes a member of the
Surya Dynasty or Sun Dynasty. But not all deity souls become a
member of the Sun Dynasty. Some only take their first births in the
Silver Age and so they belong to the Moon Dynasty. I will be
discussing the Sun and the Moon Dynasties later on, in greater
detail. In the story where Sagar is portrayed as having 2 wives,
the 2 wives represent 2 groups, each doing a different kind of
service but both services ultimately end with the creation of the
new divine world. The wives of the Hindu gods portray qualities
that the Hindu god has or roles which the Hindu god plays.
Similarly, even these 2 wives of Sagar represent the 2 kinds of
spiritual activities which God gets done through his children.
Since those who play the role of Vyasa had done bhakti to keep
their role emerged, God blesses them with that ability and helps
them in what they have to do as per the World Drama. This is why
that past birth of mine, which was involved with trying to make
himself an immortal, had emerged when the Sakar Murli was being
read in the BK center here. This role was always influencing me in
a very subtle manner and so I was not aware of his influence. But
when I was hearing the Sakar Murli for the first time, the role
emerged to take control and I had to deal with this situation.
Through making effort while contemplating on BK knowledge, I always
re-gained control. And as I became spiritually more powerful
through my constant effort-making, I have become spiritual so
powerful that I have complete control over the situation now. But I
had always wondered as to how this role could emerge when I was
listening to the Sakar Murli because my spiritual stage is usually
quite powerful when I hear the sakar murli. Further, this role had
emerged during the first time when I heard the murli and this had
also made me what to know as to why it had happened. The only
answer which I got to this question was that God had blessed this
role to emerge when it hears the spiritual knowledge in the
Confluence Age, at the end of the cycle, because this role had done
bhakti to emerge when it hears the murli and so the role got the
blessing from God. The ancestors who Bhagirath was trying to
release so that they can go back into heaven were the people who
had walked out of the divine world. Some of these people who had
walked out of the divine world were trying to make sure that their
roles stay in an emerged state until the end. They were trying to
make sure that their roles remained in an emerged state so as to
play a role in explaining the evidences, at the end of the cycle.
They created various practices which was meant to keep their role
in an immortal state until the end of the cycle when it is time to
walk into the divine world again. They also created a lot of
stories, structures and had handed down a lot of messages which
only they could explain well at the end of the cycle. If my
explanations sound good, it is because I am one of those who had
tried to keep that Copper Aged role in an immortal state until now,
when it is helping me to understand the stories. If you are of the
view that my explanations are good, it may also be because I am
using the role of Ganga and so God is assisting me in the
explanations.
Om Shanti
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| Sat, Jan 15 2011 11:14pm MHT 3 |
Pari
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Title: Part 28 - Aliens, UFOs and
Parallel Universes - Sons of Sagar (3)
Contents: There are two groups portrayed in the Sagar story. The
ones who play the role of the Vyasa will lead the non-deity souls
and they created stories, structures and handed down other messages
which they will explain at the end of the cycle. They also
initiated the belief in non-deity souls that destruction will take
place around 2000 AD. And destruction is taking place as
prophesised. Global warming is one of the destructive forces which
is very obvious now. The ones who lead everyone in the east will be
the ones who make sure that the bhakti which they began is
continued to provide sustenance for the impure world until the
Confluence Age begins and the deity race walk into the new cycle.
The members of the Brahma Kumaris and other Confluence Aged
spiritual groups are those who belong to the group that leads in
the east and the deity souls. The souls who are members of the
Brahma Kumaris also got involved with the creation of the stories
from the Copper Age onwards. However, since they did not program
themselves to keep their Copper Aged role in an immortal state so
as to explain the stories, they will not be as interested in
explaining the ancient stories and the other evidences left behind
by the ancient people. It is only those who play the role of
immortal Vyasa who will be interested in explaining the evidences
left behind by the ancient people. One will be able to see these 2
separate groups at the end of the cycle now. The ones who tried to
keep their roles in an immortal state, as Vyasa, are trying to
explain the evidences left behind by the ancient people. Bhagirath,
on the other hand, continues the race of the deities through the
Confluence Age. Actually, the 60,000 sons of Sagar can also be seen
to represent all the Confluence Aged souls who receive salvation
and liberation through what Bhagirath had done. But the group was
made to look small with only 60,000 sons of Sagar involved because
it represented the people who were trying to keep their roles in an
immortal state. The number of deity souls who walked out of the
divine world was a huge group of 330 million deities and not a
small group of 60,000. The group was made to look small in the
story because it specifically represented those who tried to attain
immortality for their roles until the end of the cycle. The people
who had tried to keep themselves as immortals have been given
various names, including Vyasa. So, for convenience I am referring
to this group as the Vyasas. In the messages given by God, through
the founder of the Brahma Kumaris, it has been said that the
founder of the Brahma Kumaris is Bhagirath because he is the lucky
chariot who is used by God to give the first batch of messages. God
began to use him as a chariot soon after creating the Confluence
Age. God's coming into the corporeal world begins the Confluence
Age. The Sagar story had connected the Brahma Kumaris to the 60,000
souls who tried to keep their roles in the immortal state because
there will be this connection between Bhagirath and these Vyasas at
the end of the cycle. What was done through the founder of the
Brahma Kumaris will also, finally, help bring salvation to those
who tried to keep their roles in an immortal state as Vyasa and so
on. In the story it is said after the Ganga falls down on the ashes
of the 60,000 sons of King Sagar, they are resurrected and they
receive salvation. This is similar to the stories which the
Christians adopted and changed while they were creating their own
religion. The spiritual theories and stories about salvation is
based on what happens at the end of the cycle when all souls
receive salvation and liberation when they are taken back to the
Soul World. The Christians' desires to make their religion more
superior had made them come up with the spiritual theory that only
they receive resurrection and salvation. All souls enjoy salvation
and liberation at the end of the cycle. But the deity souls will
enjoy liberation even while they are living their lives in the new
divine world. All others will enjoy liberation in the Soul
World.
Om Shanti
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| Sat, Jan 15 2011 11:20pm MHT 4 |
Pari
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Title: Part 29 - Aliens, UFOs and
Parallel Universes - Sons of Sagar, Ganga
Contents: In the Hindu scripture story, the 60,000 sons of Sagar
were supposed to be caught in the underworld or Nether world
because they were burnt there through a curse. The Nether world or
underworld is the world of the dead. By the end of Kaliyug, the
world is like the world of the dead because it is the vices which
are in control. It is as if the virtuous soul is dead and the vices
have taken over. This is similar to how the ghosts can materialise
after we are dead. It is because the vices are in control that the
Nether World and the underworld also refers to the part of society
which is engaged in crime and the usage of the vice. The underworld
also refers to a region, realm, or dwelling place which is supposed
to be below the surface of the earth because it signifies the dead.
The world of the dead is said to be located below the world of the
living because the dead people are buried below. Hades is the King
of the Underworld because Hades represents the vices which rules at
the end of Kaliyug. The 60,000 sons beginning their journey into
the underworld represents how the deity souls of the divine world
walked out of the divine world because of their actions which were
taken based on the influence of the vices. Doing these actions was
similar to digging one's own grave. The journey deep into the
underworld represents the situation where after the 60,000 sons of
Sagar walked out of the divine world, the vices increase in them to
take control and this situation is very bad by the end of the
cycle. So they were portrayed as digging their way deeper and
deeper into their grave where they finally got burnt through the
curse. It is as of the deity souls are in a cursed state by the end
of Kaliyug. This is why the 60,000 sons were shown to have gone
into the underworld. The 60,000 sons of Sagar getting cursed in the
underworld or Nether World represents the 60,000 sons going into a
state where it is as if they are in a cursed state. The 'cursed
state' also refers to the situation where the deity souls lose
their liberated state which they enjoyed in the divine world
because it was there in the World Drama that they should lose it
and then receive salvation at the end of the cycle. Actually, all
the Vyasas who tried to keep their roles in an emerged state were
actually digging their grave to go into a cursed-like state by the
end of the cycle. It is as if they are in a cursed state because
once the soul leaves the corporeal body, the role that it used
during that birth has to sink deep within and not emerge again
because that role is over. However, because we were trying to keep
the role of our Copper Aged birth in an emerged state, we were
disturbing our own peaceful state because the soul will keep being
influenced to do that which the emerged role had wanted to continue
doing. Anyway, Ganga Dussehra is celebrated as the day Ganga
liberated the sixty thousand sons of Sagar. Ganga is shown as
liberating these 60,000 souls because it is through the knowledge
given by those who play the role of Ganga that the Confluence Aged
spiritual knowledge is accepted by the 60,000 souls who play the
immortal role from the beginning of the Copper Age until the end of
the cycle. Until they hear this spiritual knowledge, they will be
just trying to play the immortal role, while waiting for the end to
come when they receive salvation. Various names have been given to
this immortal role and one of those names is Vyasa. For more on
Vyasa, please read my article from Part 23 onwards in my series of
articles titled, “2012 Protection (During Destruction) and the
Gathering for World Transformation”. After the founder of the
Brahma Kumaris left the corporeal body, the women, who played the
role of Ganga continued to run the Brahma Kumaris. Many more Gangas
were also involved with giving spiritual knowledge. Since the women
were running the Brahma Kumaris on behalf of the founder, and since
it was the knowledge that was given through the founder which is
explained by those who play the role of Ganga, it can still be said
that it was Bhagirath who helped the sixty thousand sons of Sagar
to receive salvation. The journey, of the sons of Sagar, to the
underworld also represents how the Confluence Aged souls bring
their attention to what is happening in the corporeal world even
though their consciousness remains in the subtle region. When they
do this, their consciousness can fall into the ordinary state and
they are in the ordinary corporeal world thereafter until they make
effort to go beyond through listening to the knowledge given
through those who play the role of Ganga.
Om Shanti
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| Sat, Jan 15 2011 11:25pm MHT 5 |
Pari
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Title: Part 30 - Aliens, UFOs and
Parallel Universes - Bhagirath, Vyasa, Ganesha, Skanda
Contents: Though Bhagirath helps all the souls who had walked out
of the divine world, to get salvation. The numbers used in the
story was a only the smaller figure of 60,000 because it also
represented the smaller group of Vyasas who will be helped by those
who play the role of Ganga, at the end of the cycle. This story
actually, connects the Brahma Kumaris, and those who play their
role in the east, to those who play the role of Vyasa and to those
who play their roles in the west. In this article, I will be trying
to relate this connection, in the story, to the connection that
exists between the 2 groups at the end of the cycle. Those who
tried to keep themselves as immortals at the beginning of the
Copper Age, after having walked out of the divine world, will be
playing the role of Skanda at the end. This is a blessing which
they receive for having disturbed the peaceful state of the soul,
through having tried to keep their Copper Aged roles in an emerged
state so as to do service on the world stage, at the end of the
cycle. These people will be playing the role of Skanda while the
Brahma Kumaris focus their attention on just training the 900,000
deity souls so that they will be ready for world transformation.
Though the Brahma Kumaris have to make sure that the 900,000 souls
are ready for world transformation, the founder had also paved the
way for world service. This world service helps to bring in their
members, who they have to be train, and it also helps pave the way
for those who play the role of Skanda. This is also a reason why it
had been portrayed in a Hindu scripture story that Brahma had
advised Shiva to give the fruit to Skanda. The fruit which was
given to Skanda was the fruit for having done world service. After
the Brahma Kumaris was founded, the founder did not advise any
service to be done. But later, when it was time to pave the way for
world service, the founder had paved the way for that. But world
service outside India only began when the Brahma Kumaris were run
by the women. However, since these women were running the Brahma
Kumaris on behalf of the founder, it is as if the founder had paved
the way for world service. So Ganesha, in the Hindu scripture
story, is shown as being angry with Brahma because he advised that
the fruit be given to Skanda. What the founder and the women, who
administered the Brahma Kumaris on behalf of the founder, were
doing was actually paving the way for the role of Skanda through
which those who play the role of Skanda get their fruit. To
understand why Ganesha is shown as getting angry with Brahma in the
story, one has to understand what is happening in the Brahma
Kumaris. The members of the Brahma Kumaris, who use the role of
Ganesha, cannot be successful while doing world service because
they cannot adopt and adjust to the ways of the people in the
Kaliyug world. It is only those who play the role of Skanda who
would be able to do that. In the Brahma Kumaris, one would notice
that it is those who are able to adopt and adjust to the ways of
the people outside who are used, by the Brahma Kumaris, for world
service in the corporeal world. The Brahma Kumaris use them because
those souls know how to handle and deal with non-BKs in a
diplomatic manner. Those who enjoy using the role of Ganesha do not
have this ability. So they are not used by the Brahma Kumaris for
world service in the outside world. Those who enjoy using the role
of Ganesha are usually very critical that the Brahma Kumaris are
using these world servers instead of using them. They feel that
world service should be done their way and that the people outside
should be able to accept their narrow BK ways. This is also a
reason why Ganesha has been portrayed as showing his ugly side to
Brahma. Those who enjoy using the role of Ganesha can show their
ugly forms when they are not in their divine soul-conscious stage.
Actually, one can also use the role of Ganesha during meditation,
even though one is using the role of Skanda during world service.
The Brahma Kumaris are using those who are capable of playing the
role of Skanda for world service, even though they do not encourage
their members to use the role of Skanda. What they are doing is
actually paving the way for the world servers. We all belong to the
same deity family and we are all involved with the same service of
world transformation, even though we can specialize in the kind of
service which we do. Each will receive a special fruit based on
what they do. Those who play the play of Skanda receive the fruit
for world service which is done in the corporeal way. Those who
play the role of Ganesha receive the fruit for the effort-making
which they do, during the Confluence Age. This is why, in one Hindu
story, Ganesha receives the fruit whereas in another story Skanda
receives the fruit.
Om Shanti
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| Sat, Jan 15 2011 11:28pm MHT 6 |
Pari
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Title: Part 31 - Aliens, UFOs and
Parallel Universes - The Roles of Brahma & Bhagirath
Contents: In the Hindu scripture story of how Bhagirath brought
Ganga down to earth, Brahma told Bhagirath to ask Shiva to catch
hold of Ganga so that her descend does not destroy the world. The
role of Brahma and Bhagirath are played by the same soul during the
Confluence Age. But since they are different roles, they have been
shown to interact with each other because that can happen in the
subtle region during the Confluence Age. These interactions between
the various roles is just a representation of the soul taking
actions based on all the roles that it uses. This is similar to the
situation where when we take actions, it is based on all our
sanskaras or personality traits, thoughts, desires and so on. What
is being portrayed by the ancient stories is similar to this. The
ancient people have used a very unique and creative way of
portraying this. The ones who can understand what the stories
represent are the ones who had created the stories. So if you can
understand what I am trying to say, you may have gone deep within
to understand it better. If you like what the ancient people had
done through this way, you may be one of those who had been
involved in the creation of the stories. If you understand what I
have said but you do not think too highly of what had been done by
the ancient people, you may not be one of those who were involved
with the creation of the stories. This, in a way, helps you to
recognise your role. Most of those in the Brahma Kumaris do not
think too highly of these stories which the ancient people had
created because they may not be the ones who had tried to keep
their roles in an immortal state so as to explain the story at the
end of the cycle. They may have helped with the creation of the
stories but since they are not involved in playing the role of
Vyasa so as to explain the stories, they are not interested in the
stories as those who play the role of Vyasa are. In the story,
Brahma represents a subtle role played by the soul whereas
Bhagirath is a role which involves the use of the corporeal body by
God. They are 2 different kinds of roles which are used by the
founder of the Brahma Kumaris, during the Confluence Age. Since
these 2 roles are played by the same soul in the Confluence Age; in
the Hindu scripture story, the role of Bhagirath was represented as
the one doing penance from the beginning of the Copper Age. To do
penance, one has to use the corporeal body. This gives emphasis to
the usage of the corporeal body, which is similar to the situation
where the corporeal body of the founder was used by God during the
Confluence Age. As the soul, who uses the role of Bhagirath during
the Confluence Age, begins to do penance at the beginning of the
Copper Age, information came from his subconscious mind that he has
to do penance to Shiva. This information was portrayed as having
been given by Brahma because the subtle role of Brahma was used by
Shiva at the end of the cycle. This information had emerged to
influence him to worship Shiva. This information which emerged gave
an understanding as to how God was the one would enabled the divine
world to get re-created, through using the roles of Ganga and other
deity roles, during the Confluence Age. So the soul, who plays the
role of Bhagirath, begins his worship to Shiva at the beginning of
the Copper Age. So, in the story, Bhagirath is shown to have
continued his penance to Shiva based on what Brahma had said. In
the story, Bhagirath is said to have devoted himself to do further
penance so as to bring Shiva before him and to grant him what he
wants because the soul who plays the role of Bhagirath had done
that after having walked out of the divine world. Bhagirath doing
penance for the purification process also represents how, while
during bhakti, all the deity souls had kept asking God to come into
the corporeal world again so that Ganga can play her role on earth
again, as God's instrument in the purification process through
which the heavenly world is re-created. Whatever the King did was
also what the subjects did and it was also what all the others
did.
Om Shanti
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| Sat, Jan 15 2011 11:31pm MHT 7 |
Pari
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Title: Part 32 - Aliens, UFOs and
Parallel Universes - Shiva's Hold on Ganga (1)
Contents: In the Hindu scripture story, Bhagirath is said to have
done penance to Shiva because he wanted Shiva to hold Ganga in His
hair when she descended onto earth and release her in minor streaks
which the earth might bear. Shiva finally appeared before him and
agreed to do that. So, when Ganga descended, He caught hold of her
in His matted hair. His matted hair is also referred to as Jada. In
the story, Shiva kept her in His Jada for a long time before He
released her. When Shiva allowed her to slowly flow onto earth,
Ganga only went out of his hair partially because of her love for
Shiva. Thus, she remained partially couched forever on Shiva's
head. I will be discussing these further in this and the next video
clips. In the Hindu scripture stories, Ganga is shown as a wild and
destructive woman just before Shiva caught and placed her in His
Jada. One of the reasons why Ganga has been portrayed in this way
is because the souls who use the role of Ganga are from the
tamopradhan world who have entered into the Confluence Age. If the
soul was not in a soul-conscious stage, the vices might be in an
emerged state within the soul, and so the actions done by that soul
can be wild and destructive. To play the role of Ganga, the soul
has to be in the soul-conscious stage through which the soul is
linked to God Shiva. This is why Shiva has to have a hold over
Ganga. The 'hold which Shiva has on Ganga' is through the link to
God, and this link enables the soul, who plays the role of Ganga,
to remain in the divine soul-conscious stage. It is during the
Confluence Age, that we get Shiva's help to remain in the
soul-conscious stage, which stops us from being destructive and
which makes us become souls who bring benefit to everyone. Thus,
through using creativity, since the story is also for
entertainment, Shiva is portrayed as the only one who can hold
Ganga and he is shown catching and placing her in his Jada, as she
descends from the subtle realm onto earth. Shiva catching hold of
Ganga also represent how God catches hold of us from the Kaliyug
world and brings us into the Confluence Age, during which time we
have His Company, through the link to Him. God placing Ganga in His
Jada, which keeps her close to Him, also represents God keeping
Ganga company through the link which He enables her to have during
the Confluence Age. Shiva is supposed to have kept Ganga in His
Jada for a long time before releasing her because those who have to
play the role of Ganga on the world stage should not move onto the
world stage until they have become powerful through having
practiced meditation in the Confluence Age for a long time. This
makes sure that they do not easily lose their stage and thus get
influenced by the vices while they play their role on the world
stage. Shiva keeping Ganga in His Jada for a long time also
represents the situation where God creates the subtle Confluence
Aged deity roles, including Ganga, when the Confluence Age begins.
However, the Confluence Aged souls only begin to use the subtle
deity roles later. The ancient people knew all this because they
saw it in visions and during their subtle travels in time, when
they were meditating. In the stories that they created, they
portrayed what they saw in the visions and what they saw in past
and future births (while meditating). The ancient people, thus,
also knew of how the cycle would end and so they knew that Shiva
would finally come to re-create the divine world. So in the story,
Shiva, finally does appear before Bhagirath and Shiva agrees to
catch hold of Ganga so that the world does not get destroyed upon
her descent to earth. All this reflects how the ancient people knew
that the story would end with Shiva allowing Ganga to flow onto
earth in a beneficial manner. But then, as per the World Drama,
penance had to be started from the beginning of the Copper Age to
get Shiva to re-create the divine world and so bhakti was begun.
This bhakti also paved the way for the other religious teachings.
It also provided entertainment in the World Drama. The stories
themselves were also part of the bhakti that was done to make sure
the divine world does get re-created because the people who walked
out of the divine world valued the divine world more than anything
else. In the story, Ganga is said to remain partially couched
forever on Shiva's head because the role of Ganga keeps getting
played at the end of each cycle. At the beginning of the Confluence
Age, God will automatically bless us with the ability to use the
Confluence Aged subtle roles, which includes the role of Ganga. And
the ancient people knew this too.
Om Shanti
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| Sat, Jan 15 2011 11:34pm MHT 8 |
Pari
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Title: Part 33 - Aliens, UFOs and
Parallel Universes - Shiva's Hold on Ganga (2 -
Purification)
Contents: In the Hindu scripture story, God placing Ganga in His
Jada, also represents God giving Ganga the link to Him, during the
Confluence Age, so as to allow purification of the deity souls to
take place during the Confluence Age. Through the link to God,
Ganga is used to give spiritual knowledge and that, in turn,
enables others to establish their link to God for the purification
process. Shiva catching hold off Ganga in His Jada represents Ganga
as being with God when she plays her role in the purification
process. Ganga also represents the purification process itself. So
Shiva keeping control over the flow of Ganga represents how God has
great control over the situation during the purification process.
Ganga is also shown as a river which is so powerful because it
represents the purification process. Ganga and the Ganges water
have been associated to the purification process, which is a very
powerful process through which pain can be experienced if God did
not give a helping hand during the purification process. So it has
to be done in a controlled manner during the Confluence Age. God
keeping control over Ganga, thus, also represents that the
purification process is done in a controlled manner during the
Confluence Age. God releasing Ganga a little at a time represents
how the Confluence Aged souls are not subjected to God's Might
during the purification process in the Confluence Age. Not everyone
gets purified while they play their roles on earth. All non-deity
souls only get purified when they leave their corporeal bodies to
return Home to the Soul World. It is only the deity souls who get
purified during the Confluence Age while they play their roles on
earth. During the Confluence Age, the soul-conscious stage and the
link to God helps the souls not to experience any pain during the
purification process. This is the helping hand which God gives
during the purification process which takes place during the
Confluence Age. If one's stage was very good, one would not
experience any pain during the purification process. One would only
enjoy bliss, love and happiness. The love which Ganga is supposed
to have felt after having got caught in Shiva's Jada is the love
for God which is experienced during the Confluence Age, because of
the link which we have to Him. When we experience God's soothing
and helpful vibrations, one would experience love for Him. When we
experience the soul-conscious stage through the link to God, we
will know that God is our Father and naturally, divine love comes
into an emerged state. As an instrument of God, Ganga herself would
only want to be beneficial and she can only be beneficial in her
ways because of her soul-conscious stage. She would not be capable
of doing anything that is not beneficial since she is linked to
God. Ganga's love for God is actually connected to the pure
powerful stage through which purification takes place. Shiva
placing Ganga in His Jada also represents that the purification
process only takes place with God getting involved. If God does not
get involved, there wouldn't be any purification and the world
would only be getting worse until it gets into the destructive
Kaliyug state. So the story portrays that if God does not get
involved, the situation would be destructive on earth. Helping
people so as to make sure that they are not tortured during the
purification process is a noble act. So, the ancient people had
portrayed Bhagirath as doing penance to get Shiva to give a helping
hand during the purification process and to make sure that the
purification process is exercised in a controlled way as He does at
the end of the cycle. The story was created in this was to reflect
the noble nature of those who are in their soul-conscious
state.
Om Shanti
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| Sat, Jan 15 2011 11:38pm MHT 9 |
Pari
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Title: Part 34 - Aliens, UFOs and
Parallel Universes - Ganga Ma (1)
Contents: Since Ganga is a role which is played in the corporeal
world through using the corporeal body, it is said that Ganga had
to descend onto earth because of a curse. There is nothing great
about being in the ordinary corporeal world. So the ancient people
who had just walked out of the divine world saw it as a curse which
had to happen as per the World Drama. Since they had been in the
divine world, they had seen the beauty of the divine corporeal
world. But they had to walk out of the divine world as per the
World Drama and so it is as if, because the curse existed in the
World Drama, they had to walk out of the divine world. Similarly,
at the end of the cycle, the souls who have enjoyed the
soul-conscious stage, during the Confluence Age, would not like to
get involved with the people and the situations in the Kaliyug
world. They would prefer to sit quietly somewhere and just meditate
so that they can enjoy the soul-conscious stage. One can easily
lose the soul-conscious stage when one interacts with the people
who are outside the Confluence Age. Yet, despite this, those who
play the role of Ganga interact with the people of the Kaliyug
world so as to give benefits through relating or explaining the
Confluence Aged spiritual knowledge. Hindu customs are such that
when a woman goes out of the way to help others, she is seen as a
motherly figure and is referred to or as “Ma” which means “Mother”,
as a show of appreciation. This is a reason why Ganga had begun to
be referred to as “Ma Ganga” or “Ganga Ma” or “Ganga Mata” or
“Mother Ganges”. Ganga is also referred to as a mother for other
reasons. As Ganga gives spiritual knowledge in the corporeal world,
people can treat her badly because of their being influenced by the
vices. But Ganga will not get disturbed by what these people say
because of her high soul-conscious stage. The bad treatment from
humans have been associated to kicks, from the children, on the
mother's chest. The mother is said to not feel any pain when her
child is kicking her hard on her chest because of the love that she
has for the child. When one is in a soul-conscious state, one can
only experience love for all human souls and so Ganga, and Parvati,
have been referred to as mothers because both these roles are used
when one enjoys the soul-conscious state. And both these roles are
used while one uses the corporeal body. Hindus sometimes say that
Ganga and Parvati are the same person or they are seen as sisters
of the same Father. They are also seen as the women of Shiva.
Parvati is seen as the one who is married to Shiva and Ganga is
seen as the one who is kept hidden in Shiva's Jada. God placing
Ganga in His Jada, where she is partly hidden, also represents that
we should never depend on the human souls who are used by God as
instruments. Ganga is portrayed like an adornment in His hair
because we should always turn to God. So no matter how loving the
role of Ganga or Parvati is, one should not get attached to the
souls who use those subtle roles. It is easy to get attached to
people who are virtuous and who have a pure stage. This can happen
when souls are helped through the spiritual knowledge which is
given through those who play the role of Ganga. The help that Ganga
gives, is also the help that a world mother gives to these souls
and to all other souls, world wide. All those who help in the
transformation of the ordinary world, into a divine world, are
world mothers because the vibrations emitted through them, not only
helps to transform the world into a beautiful world but it also
helps to sustain the souls who are in the Kaliyug state. Since God
uses Ganga, all the Ganges, like God the Ocean, are world
benefactors, bestowers of blessings, great donors and souls with
merciful hearts. Such souls are also the world mothers who care for
everything in the world. Thus, the world mothers would help to
bring in the new divine world.
Om Shanti
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| Sat, Jan 15 2011 11:42pm MHT 10 |
Pari
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Title: Part 35 - Aliens, UFOs and
Parallel Universes - Ganga Ma (2)
Contents: In the Hindu scripture story, as Ganga descends, she
purifies the 60,000 sons of Sagar. This represents how the role of
Ganga is used to help those who play the immortal role of Vyasa and
all other Confluence Aged souls, at the end of the cycle. After the
son's of Sagar are helped, Ganga is used by all devotees for
purification. Hindus believe that Ganga also came onto earth as a
means of purification for the entire population of human beings.
This belief is based on what happens at the end of the cycle,
during and after the role of Ganga is played on earth. It
represents the situation where the vibrations from all those who
play the role of Ganga will help people world-wide to remain in a
spiritually calm state, at the end of the cycle. It also represents
the situation where some of those who play the role of Ganga are
used during Judgement Day, when all souls are purified. At the end
of the cycle, Ganga's powerful stage will help people to remain
peaceful as they watch the destructive and violent events that
occur. If the soul is subjected to a situation which is too
oppressive, the person can go into a mentally unsound state because
the body can get affected by the bad state which the soul is in.
The pure vibrations which are emitted into the atmosphere, by those
all those who play the role of Ganga, will help to keep people in a
spiritually higher state so that they can tolerate all the
destructive and violent events. At the end of the cycle, all souls
will get purified as they leave their corporeal bodies to go back
to the Soul World with God. God purifies all souls before taking
them back to the Soul World, but this purification is done along
with the usage of the 8 most powerful deity souls. This is why the
number 8 is so significant in all the ancient theories and so on.
As God purifies all souls, before taking them back to the Soul
World, God's vibrations also get sent into the 8 most powerful
souls and God's vibrations will then be emitted out of those 8
powerful souls, to all souls. This helps all human souls to have a
strengthened stage so that they will be able to tolerate the
burning process. This burning process is the purification process
which is why the fire has been used as a way to purify people in
the Hindu scripture stories. The purification process is similar to
a burning process but a fire is not used. Only God's energies are
used for the purification process. And it is also God's vibrations
which are used to help all souls during the purification process.
However, it is as if God's presence helps to purify the souls while
the presence of the 8 deity souls help to strengthen the souls'
stage so that they can tolerate the purification process. This is
why a tribunal of 8 souls are supposed to sit with God on Judgment
Day. Judgment Day represents the time when the purification process
takes place before all souls are taken back to the Soul World. If
these 8 deity souls are not used on Judgment Day or in the
purification process, through this way, human souls would find the
burning process intolerable. Human souls will experience pain for
all the sins that they do but the soul will not get burnt away or
injured during the purification process. It is only the sins that
get burnt away and the vices will get transformed back into the
divine state. Some of those who play the role of Ganga will also be
sitting in this Tribunal on Judgment Day. This is also why Ganga is
seen as a mother. Even in the corporeal world, at the end of the
cycle, if souls interfere with God's work in the Confluence Aged
subtle region, God might just subject them to His vibrations so
that the vices which are making them misbehave will get burnt away.
Thus, they will stop misbehaving for awhile, after getting purified
in this way. The soul is not subjected to all of God's Might and
Strength. God only subjects the soul to a little of His vibrations
so that the soul is able to tolerate the burning process. This is
also what happens during the purification process, in the
Confluence Age. And this is why Bhagirath wanted Shiva to release
Ganga a little at a time. If the soul is not in a good stage when
God sends a little of His vibrations to the soul who misbehaves in
the Confluence Aged subtle region, the soul can experience pain,
heat or a burning sensation. If those who have a soul-conscious
stage (the world mothers) absorb and send God's vibrations to that
soul, at the same time when God sends his vibrations to that soul,
the soul will not experience any pain, heat or burning sensation.
The world mothers help to increase the stage of the soul so that
the soul does not experience pain during the purification process.
One only experiences pain during the purification process if the
soul is not in the high soul-conscious stage.
Om Shanti
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| Sat, Jan 15 2011 11:48pm MHT 11 |
Pari
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Title: Part 36 - Aliens, UFOs and
Parallel Universes - Subtle Ganga
Contents: In the Hindu scripture stories, it is portrayed that when
Ganga comes as the river to earth, from the subtle realm, people
get purified and the earth becomes a heavenly world because this
does happen at the end of the cycle when the role of Ganga is used.
According to the Hindu scriptures, Ganga was a goddess residing in
Heaven before she came down to Earth to provide salvation. This
reflects 2 situation. The first is the situation where the role of
Ganga is used in the Confluence Aged subtle region while the soul
gives or explains spiritual knowledge in the corporeal world. The
second is the situation where the role of Ganga had actually been
created at the beginning of the Confluence Age but the role is only
used later in the Confluence Age. Ganga is believed to have resided
in the heavenly abode because she is a Confluence Aged subtle deity
role whose consciousness should be in the Confluence Aged subtle
region, yet her consciousness is turned to the people to whom the
spiritual knowledge or explanation is given to. Through using
whichever corporeal body the soul is in, the role of Ganga is used
on earth. In the Hindu scripture stories, Ganga is portrayed as
being beautiful, pure, and strong-willed because she is a
Confluence Aged subtle role belonging to the pure Confluence Aged
subtle dimension. It is a role which is used by those souls who are
determined to help God with the re-creation of the new divine world
through giving or explaining God's spiritual knowledge. In the
scriptures, Ganga is portrayed as having the power of purifying
anything that touched her because she also represents the
purification process and God's vibrations which gets filled in the
souls who are listening to what she says. Hearing this spiritual
knowledge brings one into the soul-conscious stage through which
purification, of the Confluence Aged souls, take place. Since the
ancient people were using water to represent spiritual knowledge;
the Ganges water represents the spiritual knowledge which is given
through Ganga. And this spiritual knowledge purifies the souls who
bath in the spiritual knowledge through contemplating on it or
through keeping it in their minds. It is said that the flow of the
Ganges also represents the nectar of immortality because the
spiritual knowledge which is given through Ganga will enable one to
enjoy the sweetness of the soul-conscious stage, which is also the
stage of immortality. One receives immortality in the new divine
world through going into the soul-conscious stage now, while
listening to or contemplating on the spiritual knowledge given
through those who play the role of Ganga. In the Hindu scriptures,
the descent of Ganga is also considered as the birth of Ganga in
the corporeal world. This birth represents the spiritual birth
which we take to play a role in the Confluence Age. When we use
this spiritual birth we are enabled to use all the Confluence Aged
subtle deity roles, including the role of Ganga. God created all
these subtle roles in the subtle region and blesses us with the
ability to use them, at the beginning of the Confluence Age. This
is why the ancient people did bhakti, asking God to enable us to
use these deity roles again. But the subtle role of Ganga is only
used later in the Confluence Age, after the founder of the Brahma
Kumaris is used. During the Confluence Age, life is given to the
role of Ganga after God begins to speak through the mouth of the
founder of the Brahma Kumaris. All those who have received the
Confluence Aged knowledge and who are relating it to others, play
the role of Ganga. Ganga is also said to descend into the corporeal
world from heaven because God creates these subtle roles at the
beginning of the Confluence Age, whereas we only begin to use it
later when our spiritual strength has improved. By the words,
“Ganga is brought down onto earth”, it is meant that Ganga will
begin to play her role on earth. We may have received the
Confluence Aged spiritual knowledge long ago but so long as we are
not used to give explanations of the spiritual knowledge, we do not
play the role of Ganga. So Ganga is a role which is used later in
the spiritual life of each Confluence Aged soul. Until the soul
begins to use the role, Ganga remains as a subtle Confluence Aged
subtle role which has not begun to be used as yet, by a specific
Confluence Aged soul. I also say these based on my own experiences
and visions. I knew that I would be using the role of Ganga on the
world stage one day. But I did not know or understand what that
meant until now, when I am beginning to use the role of Ganga while
giving my explanations.
Om Shanti
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| Sat, Jan 15 2011 11:51pm MHT 12 |
Pari
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Title: Part 37 - Aliens, UFOs and
Parallel Universes - Ganga, Lakshmi, Brain Hemispheres
Contents: Through our link to God, God assists us to explain
spiritual knowledge very well when we use the role of Ganga. God
does not enter us to explain knowledge when He uses the role of
Ganga to explain. God just makes us move in a specific way and
narrate knowledge well through our link to God. The human being
cannot be said to be the goddess Ganga, or any other god or
goddess, when we are only subtly using that deity role. The
corporeal body is used but we are not that corporeal body. We are
the souls who are in the soul-conscious stage while we remain in
the corporeal body so as to do service in the corporeal world.
Using the role of Ganga helps us to use the spiritual Confluence
Aged subtle region through which that role is used. To use this
subtle role of Ganga, you can see yourself as the soul and then as
beginning to use the role of Ganga. Or you can see yourself as the
soul and as using the role of Ganga at the same time. As your stage
improves, your ability to use that role improves. The better your
stage while you use the role of Ganga, the better the explanations
would be. If you used the role of Lakshmi while explaining, the
explanations can be very bad because spiritual knowledge is not
Lakshmi's speciality. Lakshmi and Narayan are roles used by the men
and women in Satyug. The people in the divine world will not be
effort-makers. They will enjoy a high soul-conscious stage
naturally and they need not make any effort to attain a high stage.
They will also be using the right hemisphere of the brain more than
the left. So, they will not be as intelligent as the people in
Kaliyug who use the left hemisphere more than the right. Using the
right hemisphere of the brain enables one to have spiritual
guidance through the soul-conscious stage. It will give us whatever
information we need and whatever guidance we need when we face a
specific situation. So, we don't have to use our intelligence to
deal with a situation. Using our intelligence to solve a problem in
life may not really solve it. But spiritual guidance gives us the
best guidance to deal with whatever situation we are faced with. So
there is no need for the divine people in the new divine world to
use their left hemisphere so as to act in an intelligent manner.
They will be happily living like children. Even when I use the role
of Lakshmi, I tend to not use the left hemisphere as much. Thus,
what I say, when I use that role, may not sound intelligent. But
spiritual guidance will be there. However, since my subtle role of
Lakshmi is not well developed as yet, I find it better to use the
role of Gangga, Parvati, Skanda or Shanker when I begin
effort-making. Even if your link to God was not good, God can make
you explain the spiritual knowledge well. You play the role of
Ganga when God does that. Visualising yourself as linked to God may
also enable you to use the role of Ganga when there is a need for
God to use you so as to explain something. When God explains
through our good stage of Ganga, we are closely linked to God at
that time. It is because we are linked to God and God has control
over us while giving explanations on spiritual knowledge, that in
the Hindu scripture stories, Shiva is shown to have control over
Ganga while the purifying Ganges River flows out of her mouth. The
knowledge that flows out of our mouth when we play the role of
Ganga can purify the soul when a soul listens to it or when one
contemplates on the spiritual knowledge that is being given.
Through using Ganga, God will give the listener an understanding
and God also purifies the soul who is listening to the spiritual
knowledge. So the role of Ganga is closely associated to God and
the purification process, during the Confluence Age, at the end of
the cycle. Sometimes, you may not be seeing yourself as Ganga but
because your link to God is good, God is using you to explain
something. Though you are not aware of it, you are playing the role
of Ganga at that time. The water that is shown to come out of
Ganga's mouth while she is in the hair-lock of Shiva represents
spiritual knowledge which will help to transform the souls who bath
themselves in God's spiritual vibrations when they hear that
spiritual knowledge. Hearing the spiritual knowledge takes you
within and when you have gone within, you get linked to God. You
are bathing in God's vibrations and getting purified when you are
linked to God. All this takes place in the Confluence Aged subtle
region especially created by God for this purpose. Just as a subtle
region exists based on our believes and consciousness; God also
creates the Confluence Aged subtle region through His consciousness
or 'thought'. With the thought or belief that He subtly meets us in
the Confluence Aged subtle region, the Confluence Aged subtle
region is created. It is also like as if He creates the path to Him
through that subtle region. We can flow along with God and meet Him
in the Confluence Aged subtle region through contemplating on the
spiritual knowledge given to us by God. God gives us a helping hand
when we try to do this. We should grab His Hand so that we can
easily go beyond by contemplating on the Confluence Aged spiritual
knowledge.
Om Shanti
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| Sat, Jan 15 2011 11:55pm MHT 13 |
Pari
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Title: Part 38 - Aliens, UFOs and
Parallel Universes - Hindus pray to God (Alien to our World),
Baby Ganesha story
Contents: Since God does not take births in our corporeal world
like how human souls do, God will always be an alien to this
corporeal world which we live in. Hindus pray to God, the Alien and
not to aliens who are not God. Though Hindus pray to the idols that
had been created by the deity souls from the Copper Age onwards,
the Hindus are actually praying to God and not to the deity souls
who can also be considered as aliens to this ordinary world, when
they are in the divine dimension during Satyug and Tetrayug, and
when they are in the Confluence Aged subtle regions at the end of
the cycle. Even if by mistake, they pray to the deity soul, it is
only God who will and who can help them. Each idol prayed to by the
Hindus have 2 aspects to it. The first is the Supreme Soul or God
aspect. If one scrutinizes all the knowledge relating to the idols
that are worshiped, one would find that all those idols have the
aspect of the Supreme Soul or God. It is to this Supreme Soul
aspect or God aspect which the Hindus are praying to. It does not
matter as to what form God is worshiped in. All that matters is
what is in the mind of the one doing the prayers. When Hindus
worship an idol, they have the Supreme Soul or God aspect in their
mind and so they are worshiping God. It has also been provided for
in the Hindu scriptures that whichever form one worships God, there
is only one God which everyone is worshiping. So there aren't many
Gods in Hinduism. It is just the customs and idols which differ,
based on preferences. The idol or 'god' with 'small g' may be
different but the God (with capital G) who is worshipped is only
one. The other aspect of the idol is where the deity is portrayed
as behaving like humans in the corporeal world. When Hindus want to
discuss as to what is good behaviour and as to what is bad
behaviour, then they discuss the behaviour of the deities in the
Hindu scripture stories. For example, there is a story that on one
of Ganesha's birthday, Baby Ganesha had gone from temple to temple
eating his favourite sweet pudding called modak or modakam, which
was shaped like a ball with a sweet core. His stomach was getting
full and so his vehicle, the mouse, was also struggling more and
more because of the heavier weight. Having eaten a good number of
these sweet puddings, Ganesha was still travelling on His mouse at
night. The full moon was just watching all this very quietly.
Suddenly, the mouse stumbled and Ganesha fell down. Baby Ganesha
had eaten so much that his stomach burst and all the sweet puddings
rolled out of his stomach. Baby Ganesha ran and picked them all up
and stuffed them all back in his stomach again. Then, he caught a
snake that was passing by and tied his stomach with the snake so
that the sweet puddings will stay in his stomach. The full moon
burst into laughter when he saw this. Ganesha got angry and cursed
the moon to wax and wane as it does now. For a Hindu devotee, this
story portrays that one should not be greedy as Baby Ganesha was,
and should also not laugh at the misfortune of others as the full
moon did. The consequences of both these actions can be bad as the
story portrays. But for the Confluence Aged soul, there is a lot
more hidden meanings in the story, especially in respect of the
full moon, the snake and other symbolic things in the story. The
Confluence Aged explanations for this story is given in the next
article titled, “Part 37 - Aliens, UFOs and Parallel Universes -
The Hidden Meanings in the Baby Ganesha Story”. The ancient people
had provided something for the devotees through their scripture
stories. But they had also added hidden meanings into the stories
which would only be understood now, at the end of the cycle of 5000
years. Unless one was in the Confluence Age, one would not
understand those hidden meanings. There are also other Hindu
scripture stories which relates to the Confluence Age and which
also provides for the worship aspects of Hinduism. One can't
categorise all the stories as having the same purpose. But since
Hinduism is the bhakti aspect of the deity religion, the stories
often touches or includes Confluence Aged events because that is
where the Deity Religion began. The Deity Religion began with God
creating the deities of Satyug. These deities were created in the
Confluence Age, which overlaps the end of Kaliyug and the beginning
of Satyug. Though the Hindu stories touch these aspects relating to
the Confluence Aged events, Hinduism also provides for the worship
of God.
Om Shanti
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| Sun, Jan 16 2011 12:03am MHT 14 |
Pari
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Title: Part 39 - Aliens, UFOs and
Parallel Universes - The Hidden Meanings in the Baby Ganesha
Story (1)
Contents: This video deals with the Confluence Aged aspects of the
Hindu story where Baby Ganesha eats a lot of sweet puddings on his
birthday until his stomach bursts when he falls off his vehicle,
the mouse. The story has already been narrated in “Part 36 -
Aliens, UFOs and Parallel Universes - Hindus pray to God (Alien to
our World), Baby Ganesha story”. Though those on the path of bhakti
are being taught the lesson that one should not be greedy nor laugh
at the misfortune of others through this story, there are hidden
meanings in this story which can only be understood by the
Confluence Aged souls who had created these stories in the Copper
Age. I am going to explain the Confluence Aged aspects of the story
based on my own spiritual experiences, and through using the
spiritual knowledge taught by the Brahma Kumaris and other
Confluence Aged souls. During the Confluence Age, Ganesha is the
soul for whom God will be his World. Ganesha is a subtle role used
by the soul whose world is God. Ganesha will only have a body of
light. So Ganesha cannot be heavy, which is why even a mouse can be
his vehicle. An elephant is so huge and heavy. A mouse would never
be able to carry an elephant. But since the deity role Ganesha
actually represents a subtle body of light, a mouse represented his
vehicle in the story. Those who use the role of Ganesha will feel
very light because of their good stage. The vices will not be in an
emerged state and so they will feel light and happy. At the same
times they will also be using a subtle body of light. So they will
be double 'light'. Since they are constantly remembering God and
doing everything while keeping God in their mind, God is their
world. So they will constantly be double 'light' because
remembering God establishes our link to Him, which in turn enables
us to use the subtle body of light and feel light. In the story,
since Ganesha was eating so much because of greed, he was getting
heavier and the mouse was struggling to carry him. This represents
how greed makes one heavy like corporeal bodies. Greed brings a
soul into the body-conscious state, where one feels like as if one
is the body. In the body-conscious state, we also feel heavy,
emotionally, when the vices have taken control over us.
The mouse is also considered as a bad
natured animal considering the things which it does. The Sanskrit
word mūṣaka (which means mouse) is derived from the root mūṣ (
which means 'stealing or robbing'). The mouse can carry things away
which is why the word mūṣaka was used by the ancient people when
they were referring to the mouse. In this sense, Ganesha was shown
as sitting on top of the mouse because, during the soul-conscious
stage, one would be above and beyond the ability to steal or rob.
One is in control over oneself, during the soul-conscious stage and
so one would not steal or rob. This is similar to how we are in
control of the vehicle which we ride. Sometimes, a rat is also
shown as the vehicle of Ganesha. Both the rats and the mice are
destructive animals. Rats and mice can destroy all sorts of valued
possessions by gnawing on them. Rat and mice can also start fires
and stop power supplies by chewing electrical wires. Rats and mice,
whether dead or alive, can spread disease which can reduce or
destroy the human population. Destruction and the reduction of
world population takes place significantly, at the end of the
cycle. Thus, Ganesha has been shown seated above all this and as
the rider in control of this. There are 2 aspects to the usage of
the mouse and rat relating to it's destructive nature. The first
aspect is where we have to subdue the rat or the destructive nature
which we have during the body-conscious state, in Kaliyug. We
subdue this by going into the soul-conscious state. We move into
this soul-conscious stage when we use the role of Ganesha, during
the Confluence Age. So Ganesha is portrayed as being beyond the
destructive nature of Kaliyug, by being placed on top of the rat or
the mouse. The other aspect to the rat and mouse being used relates
to Ganesha being in control when destruction takes place, at the
end of the cycle. This shall be continued in the next
article.
Om Shanti
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| Sun, Jan 16 2011 12:07am MHT 15 |
Pari
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Title: Part 40 - Aliens, UFOs and
Parallel Universes - The Hidden Meanings in the Baby Ganesha
Story (2)
Contents: Associating Ganesha to the destructive rats and mouse
associates Ganesha to the destructive process that takes place at
the end of the cycle when the role of Ganesha gets played. It is
through using the role of Ganesha that the new divine world is
brought in and this also brings in the destructive events. Nature
serves those who use the role of Ganesha by helping to clean the
world and by getting rid of everything that exists in the old
world. At the end of the cycle, the natural calamities help to get
rid of whatever is in the old world so that that which belongs to
the new divine world can replace it. As the souls who play the role
of Ganesha keep making effort and become ready, the forces of
nature will become their servants and help to get rid of the atomic
gases and all the other rubbish of the old world. So, the role of
Ganesha is also associated to the destructive events. Ganesha is
shown as sitting above all these and as the rider because, in an
indirect way, he is in control of all these. Just as the mouse and
rat can be destructive, even the natural calamities can be
destructive. Ganesha using the rat as a vehicle is similar to
Ganesha using the destructive forces which are, in an indirect way,
under his control. Ganesha using the rat also represents how
something that can be destructive can be tamed to become beneficial
as nature becomes at the end of the cycle when they help to clean
the place up and when they transform into the divine state. In the
divine state, in the new divine world, they will serve Mankind in a
very beautiful and beneficial manner. In this story, the moon is
associated to a curse because a cursed person has to endure
something bad. In the story, the moon lost something good and got
something bad because he laughed at Ganesha. This represents how
the people who had walked out of the divine world had lost
something got and got something bad because they began to use the
vices. The moon is shown to have laughed it represents the soul
allowing the vices to take control which was why it laughed at the
misfortune of Ganesha. The full moon represents the complete divine
state of the soul. The moon lost this because it allowed itself to
be influenced by the vices and it did something based on the
influence of the vices that had emerged. Even Adam and Eve are
portrayed as having lost their divine world and divine state
because they did something based on the influence of the vices that
had merged to take control. The snake in the Adam and Eve story
represents the vices. In the Confluence Age, we try to become like
the full moon by reflecting the light of God into the world, like
how the moon reflects the light of the sun. During the Confluence
Age, God is like the sun and we are like the moon. If we reflect
God's light, we look so beautiful and we do a great service for the
corporeal world too by giving it light. Laughing at the misfortune
of others is an act which involves the usage of the vices. When we
do an act through the influence of the vices, the vices are in an
emerged state within the soul. We lose our high stage when the
vices come into an emerged state. When we lose our stage, we are
not reflecting God's light into the world anymore. That means we
are not like the full moon anymore. It is like as if we lost this
beautiful stage, where we reflect God's light, because of the vices
which brings the soul into a dark state. This is like going into a
cursed state. The snake represents how we change our old body into
a new one in the Confluence Age, like how a snake changes it's
skin. The snake also represents immortality. During the Naga stage,
which is also the soul-conscious state, we will be aware that we
are changing bodies so as to walk into the new world or so as to
take our new divine birth in the new world. The soul will be aware
of what is happening and so the soul does not fear death because it
is just a matter of changing the skin which represents the
corporeal body. Ganesha tying a snake around his stomach represents
that we can keep control over greed, and all the other vices, when
we use the high soul-conscious stage which can also be referred to
as the Naga stage or snake deity stage. Please read my articles on
the “Snake Deities & the Naga clan” for more on the snake deity
stage. During the soul-conscious state, we know of what is about to
happen to us, and so it can be seen as the stage through which we
experience immortality. We also feel 'light' at that time and so
Ganesha would be able to ride the mouse again. But when we lose
that stage, we become mortals again and we become heavy. Ganesha
represents a soul who is a good spiritual effort-maker and whose
world revolves around God. When this effort-maker is enjoying the
high, pure soul-conscious stage, he plays the role of the subtle
Ganesha deity role in the subtle region. Baby Ganesha quickly tying
himself with the snake represents that he is a good effort-maker
and so he remembered to use the high soul-conscious stage which can
also be referred to as the snake deity stage.
Om Shanti
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| Sun, Jan 16 2011 12:11am MHT 16 |
Pari
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Title: Part 41 - Aliens, UFOs and
Parallel Universes -Ancient Stories & Purification Relates
to What Happens in Parallel Universes at the End of the Cycle of
Time
Contents: At the end of the Silver Age, when the deity souls lost
their divine world, they tried to re-create that divine world. But
when they realised that God comes at the end of the cycle to
re-create the divine world, they reflected this in their spiritual
theories and stories which actually relates a lot of what happens
in the parallel universes at the end of the cycle. Even though
these spiritual theories and stories have got altered with time,
there are still traces of how God only comes at the end of the
cycle in the spiritual theories and stories that continued until
today. For example, God Shiva has been associated to destruction
which only takes place at the end of the cycle. For Hindus, Shiva
is the God of creation, preservation and destruction. However, He
has been greatly associated to destruction more than creation and
preservation because God comes at the end of the cycle to re-create
the new divine world and it is also at that time that destruction
takes place. Destruction is closely associated to the end whereas
creation is closely associated to the beginning of the cycle. Thus,
Shiva has been associated to the end. Shiva's great spiritual
strength has also been given emphasis to through stories because it
is that great spiritual strength of God which can up-lift the whole
world into the satopradhan state. Shiva's spiritual strength has
been appreciated and portrayed by the ancient people through their
spiritual theories and stories because the ancient people realised
that the strength of God is needed to up-lift the world into the
divine world. They realised that their own strength was not enough
to up-lift the whole world into the divine state. In comparison to
Shiva's spiritual strength, which is like an Ocean, the human
soul's strength is just like a drop of water in that Ocean. So the
ancient human beings knew that they would not be able to re-create
the divine world on their own without God's help. In one of the
Hindu scripture stories, they even portrayed Shiva's strength as
being far more superior than Ravana's strength because Ravana
represents the vices at the end of the cycle and Lanka represents
the old world which gets destroyed, at the end of the cycle. In the
story, when Ravana, the 10 headed demon King of Lanka, wanted
admission into the abode of Shiva at Mount Kailash, Ravana was not
allowed to enter. Furious, Ravana lifts the mountain and shakes it
violently. When Shiva gently presses down on the mountain with his
right toe, Ravana begins to realise the enormous power of Shiva and
praises him for a thousand years. Just as there are hidden
Confluence Aged meanings in all the ancient stories, there is also
a hidden Confluence Aged meaning to this story. At the end of the
cycle, God, as Shiva, would definitely be victorious in
transforming the world into a divine world. The vices are no match
to God's powerful vibrations. So, they will not exist anymore in
the Golden Age because God's powerful vibrations transform all the
vices back into their original form. Though God does not rule in
the corporeal world, in the Golden Age, the kingdom in the Golden
Age is referred to as God's kingdom because God gets it created.
The vices will not be allowed entrance into God's kingdom in the
Golden Age. Then, the Golden Age will exist for 1250 years. So
Ravana is said to praise Shiva for a thousand years. The thousand
years also represents the 1st half of the cycle of time during
which time, the vices will not exist in the corporeal world.
Further, during the Confluence Age, the vices, represented by
Ravana are not allowed to emerge and exist when the Confluence Aged
souls are in their soul-conscious state. While in the
soul-conscious state, one is in the Confluence Aged subtle region.
This Confluence Aged subtle region is seen as our meeting place
with God. It is where we meet God. This is why Shiva's abode, in
Mount Kailash, is seen as the place where we subtly meet Shiva. The
vices cannot exist in this Confluence Aged subtle region because of
God's spiritual strength which is enjoyed by those while they are
in that subtle region. The vices will also not be allowed entrance
into the Soul World when all souls are taken back to the Soul World
at the end of the cycle. The Soul World is where God resides. All
these are some reasons why Ravana was shown as not being allowed
into God's abode in the story. The Soul World is not just God's
Home, it is also our Home. At the end, when souls get purified,
they are liberated from the vices because all their energies get
transformed back into the virtues and powers. All souls have to be
in their pure liberated state in the Soul World This is why all
souls have to get purified before taken back to the Soul World.
Purification only takes place, when all the souls leave their
corporeal body to go back to Soul World, at the end of the cycle.
The Christians refer to this as the Jugdement Day. However, for the
sake of world transformation, God transforms the deity souls in the
Confluence Aged subtle regions. We become powerful through the
purification process. Through becoming spiritually powerful during
the Confluence Age, we get the opportunity to enjoy greater
happiness in the divine world. As per the Law of Karma, we have to
earn our own fortune through making effort, during the Confluence
Age. So God is giving us this opportunity to earn our own income or
fortune through the purification process. Thus, even though the
Confluence Aged souls have not left the corporeal body yet, we have
started our purification process and so it is like as if we are on
our way back to the Soul World.
Om Shanti
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| Sun, Jan 16 2011 12:16am MHT 17 |
Pari
|
Title: Part 42 - Aliens, UFOs and
Parallel Universes - Parvati & Shiva (1 - Sati,
Parvati)
Contents: The Sumerian Anu and Inanna or Ishtar, relating to aliens
and UFOs, portray the roles of the same Confluence Aged souls as
that which is portrayed by Parvati and Shiva in the Hindu scripture
stories. So before I begin a discussion about the Sumerian Anu,
Inanna, Ishtar and Nibiru, I am going to discuss Sati, Parvati,
Shiva and Kailash. Then, I will relate it to the aliens who have
been referred to as Inanna or Ishtar and Anu in the Sumerian
legends. In the Hindu scripture stories, Shiva and his consort,
live in a parallel universe. They are not residents on earth, in
the corporeal dimension. However, Shiva's consort is shown as
leaving her subtle abode so as to take a birth in the corporeal
world as Sati in order to marry Shiva. As Sati, she is in the
corporeal world while she meditates on Shiva to bring him down to
earth so as to claim her as His wife. This part of the story
relates to what happens in the Confluence Age, at the end of the
cycle and it also relates to what happens at the beginning of the
Copper Age which finally ends with the deity souls playing their
roles in the Confluence Age at the end of the cycle. In the
Confluence Age, some souls take more than a birth so as to play
their role in the Confluence Age, as the wife of God. If we leave
the corporeal body to take another birth at the end of the cycle,
we will have to continue our role, as the wife of God, through the
new birth which we take. The roles of Sati and Parvati reflect
this. It also reflects how we did bhakti from the beginning of the
Copper Age through which God does finally come into the corporeal
world at the end of the cycle. In the story, Sati is finally shown
jumping into her father's Yagya, which is a fire offering. This
burns off the role of Sati, in the story so that later, the role of
Parvati can be brought into the story. However, the Yagya also
reflects the purification process during the Confluence Age, at the
end of the cycle when God, our Father, burns off all the impurities
within us, the souls. The purification process which takes place
during the Confluence Age is a subtle Yagya through which the souls
are purified. This is why Sati is said to have jumped into her
Father's Yagya. God is our Father in the Confluence Age because he
takes care of us and because we, the souls, become like Him when
our spiritual energies transform into the divine state. We become
like Him but we do not become God. There is a difference. God's
strength and might is like that of the Ocean whereas we are like a
drop in comparison. But since our energies transform to become
divine like His and since we are absorbing and reflecting out God's
energies into the corporeal world, we look like Him when we reflect
His energies out. The Yagya in the story also combines the bhakti
which is done from the beginning of the Copper Age to God's Yagya
at the end of the cycle. The ancient people, who had walked out of
the divine world at the end of the Silver Age, were trying to
combine the bhakti which they had begun from the beginning of the
Copper Age to God's Yagya, which takes place in the Confluence Age,
at the end of the cycle. Thus, they used Sati and the Yagya so as
to connect their bhakti to the Confluence Age through which their
divine world is returned to them. Sati represents the souls within
them who are doing bhakti so as to play the role of God's wife.
This wish, finally, does turn into a reality at the end of the
cycle. Through linking Sati to the Confluence Age in this way, the
Copper Aged people have linked themselves to the Confluence Age
through which the divine world gets re-created. Those ancient
people were trying to create the setting for the Kaliyug world in
the story, after Sati's death. Sati's death also represents their
death because they were trying to make sure that they re-emerge at
the end of the cycle when it is time for the re-creation of the new
divine world. I have discussed this further in the articles on
Vyasa. Please read them if you do not understand the 'immortal
roles' that are supposed to be played by some of the those who had
walked out of the perfect world (especially by those who have just
lost their perfect world even in the corporeal way). In the Hindu
scripture story, when Sati died, Shiva lost interest in worldly
affairs. Shiva completely turns His back on the world and resumes
living the life of an ascetic again. The demon Taraka began
creating havoc in all the worlds. All these, basically, presents
the setting for the Kaliyug world, and the Confluence Age, at the
end of the cycle. God does not turn the world into a divine world
until the end and so this has been portrayed with Shiva being shown
as having no interest in the world, after Sati's death. Actually,
God does help all souls who turn to Him. However, God cannot come
into the corporeal world to re-create the divine world because as
per the World Drama, God only comes into the corporeal world at the
end of the cycle to re-create the divine world. This gives all
other non-deity souls an opportunity to come and play their roles
on earth. At the end of the cycle, the vices are in their strongest
state. This is represented, in the story, by the demon Taraka
creating hell on earth. The demon Taraka is also shown giving the
Devas a bad time because the Confluence Aged soul will be battling
with the vices until they finally become victorious.
Om Shanti
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| Sun, Jan 16 2011 12:21am MHT 18 |
Pari
|
Title: Part 43 - Aliens, UFOs and
Parallel Universes - Parvati & Shiva (2 - Shakti, Parvati
serves Shiva)
Contents: In the Hindu spiritual theories and stories, Shakti
appears as the essential power, of the Supreme Brahman because
although it is God who helps us all from the Copper Age, he is not
able to re-create the divine world until the Shaktis are used
through the Confluence Age. Shakti and Parvati refers to the same
souls. Different names are given based on the different roles which
are used during the Confluence Age. I will be discussing this
concept of Shakti in greater detail later when I discuss Brahman.
For the time being it has to be just noted that it is Shakti who
takes a birth in the corporeal world on earth so as to get married
to Shiva. In the Hindu scripture story relating to the marriage of
Shiva and Parvati, a lot of representations were used to represent
the Kaliyug world which is when Shiva and Parvati are re-united.
This Marriage takes place in the Confluence Age which overlaps the
end of Kaliyug and the beginning of Satyug. In the Hindu scripture
stories, it is said that the gods asked or prayed to Shakti to
incarnate once again and turn Shiva back to the world, thereby
restoring Cosmic balance and saving the world. Shakti agreed to
incarnate, and thereupon took birth again as Parvati in the
corporeal world. The gods asking or praying to Shakti to incarnate,
so as to turn Shiva's attention to the world, basically represents
what happens from the Copper Age when the deity souls began bhakti
in an attempt to get God to re-create the divine world through
enabling the role of Shakti and Parvati to be played again. Praying
to bring the role of Parvati back into the corporeal world was also
part of the bhakti to get the divine orderly world re-created.
Turning “Shiva back to the world, thereby restoring Cosmic balance
and saving the world” refers to the event where God comes into the
corporeal dimension again so as to transform the old world into the
new divine world again. Bringing back cosmic order into the
universe only happens at the end of the cycle, through the
Confluence Age. In the Hindu scripture stories, Shakti first took a
birth as Sati and later she takes another birth as Parvati in the
corporeal world. Parvati represents the new spiritual birth taken
at the end of the cycle, during the Confluence Age, so as to serve
God during the world transformation process. In the Hindu story,
Parvati serves Shiva hoping that Shiva would marry her. This is a
representation of how we keep doing Confluence Aged service so that
we can enjoy the stage where we are married to God. One has to make
effort to go beyond so as to attain the stage where we are are
married to God. Service includes making spiritual effort to go
beyond and it also includes doing everything in the corporeal
world, that relates to world transformation. In the story, whenever
Parvati feels tired when serving, she gazes at the moon on Shiva's
head and she is refreshed. Then, she will be able to continue
serving Him tirelessly. This power which Shiva possessed, which
enabled her to become tireless, had amazed her and had increased
her desire to marry Shiva. Parvati does severe penance and
meditation to get Shiva to marry her. Finally, Shiva marries her
and they return to Kailash, Shiva's abode. Parvati serving Shiva is
a reflection of how we serve God, during the Confluence Age, at the
end of the cycle, through taking care of His service for world
transformation, in the corporeal world. This service which we do
helps to get the world transformed into the new divine world. This
is why, in the Hindu story, Parvati is shown as being born in the
corporeal world and serving Shiva in the corporeal world. Even
making effort to go beyond is “service” because that helps to
transform the world into a divine world. To make spiritual effort
to go beyond, we need a corporeal body and so Parvati has to be
associated to the corporeal world where the corporeal body is in.
Shiva taking Parvati to Kailash after the marriage represents the
situation where, through the link to God, we are enabled to be with
God in the Confluence Aged subtle regions and it also represents
how God is in the process of taking us all back Home to the Soul
World. As we keep making spiritual effort to go beyond into the
soul-conscious stage, we are getting purified and so we are on our
way back to the Soul World with God. Going to and remaining in
Kailash also represents our remaining in the Confluence Aged subtle
region through our link to God. Through this link to God, we have
God's company and we remain married to him. We have to be in the
Confluence Aged subtle region while we do service in the corporeal
world. In this story, Parvati is shown as having born and living in
the corporeal world, as a human being who later serves and marries
Shiva, because that is what happens at the end of the cycle. We
first have to take a birth through a corporeal body in the
corporeal world and only after that can we take a spiritual birth
so as to take care of God's service through effort-making and doing
other things in the corporeal world which helps with World
Transformation. We have to take care of God's service as Parvati,
in the corporeal world. We enjoy the stage of being Parvati through
attaining the soul-conscious stage. When we enjoy the
soul-conscious stage, while doing service, we enjoy the stage where
we are married to God as Parvati. This is why Parvati is shown
meditating upon Shiva so as to get married to Him.
Om Shanti
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| Sun, Jan 16 2011 12:34am MHT 19 |
Pari
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Title: Part 44 - Aliens, UFOs and
Parallel Universes - Parvati & Shiva (3 - Moon on Shiva's
Head, Third Eye)
Contents: In the Hindu scripture story where Parvati serves Shiva,
Parvati is shown as not feeling tired anymore when she looks at the
moon on Shiva's head because during the soul-conscious stage we
will not feel tired. If we are not in our soul-conscious stage and
so we feel tired while doing God's service in the corporeal world,
we have to just go beyond into the soul-conscious stage and we will
not feel tired anymore. I always do this when I feel tired and I
know that we do feel fresh again after going beyond and while we
remain in that high stage. This is why in the story, Parvati is
said to feel 'tireless while doing service', when she looks at the
moon on Shiva's head. Parvati looking at this moon actually
represents her remembering God and the Confluence Aged knowledge
which God gives during the Confluence Age. Remembering God, and the
knowledge which He has given, enables us to attain the divine
soul-conscious stage through which we feel tireless. The ancient
people had used the moon on Shiva's head to represent a lot of
things that are related to the Confluence Age. I will be discussing
the moon's significance in a few articles because there is a lot to
say. The moon is sometimes placed near Shiva's Third Eye so as to
associate it to divine wisdom, the Confluence Aged spiritual
knowledge and spiritual power which is some of the things which the
Third Eye represents. The Third eye of Shiva, which is on His
forehead, is seen as the eye of wisdom because spiritual knowledge
can only be truly understood through the third eye. The opening of
the third eye only takes place at the end of the cycle. People have
given different meanings to the third eye so as to explain their
own spiritual theories and I am not referring to the third eye as
they have begun to use it. I am explaining the original meaning
that had been given to the third eye through the Hindu and other
legendary stories. Shiva's Third Eye is said to be the eye that
looks beyond that which is visible because it involves what happens
in or through the Confluence Aged subtle dimensions. The Third Eye
of Shiva is also associated to God's immense energy, which destroys
evil and sins at the end of the cycle so as to transform
everything, and all souls, into their pure state. God's spiritual
power is like that of an ocean in comparison to the human soul's
power. This is why it is only God's spiritual energy which can
purify all human souls, thus burning away our sins and removing the
vices from the face of the earth. Evil acts and sinful acts are
done through the existence of the vices. When the vices are removed
from the face of the earth, evil and sinful acts cannot be done
thereafter because the world which does not have the vices in them
is a divine world. This divine world can only be created through
using God, at the end of the cycle. In a Hindu scripture story, it
is said that when Parvati playfully covered both of Shiva's eyes,
it became very dark in the whole universe. It was then that Shiva's
Third Eye appeared. This represents that the Third Eye only begins
to exist at the end of the cycle when it is the darkest period of
the cycle. The third eye is used to re-create the new divine world.
God's divine light is sent into the universe through using the
third eye and this helps to re-create the new divine world. The
Third Eye on Shanker's forehead, through which destruction is shown
to take place, actually relates to the Confluence Age and the end
of the cycle when the old world is destroyed and the new world
replaces it. Actually, ShivaShanker is a combination of the Supreme
Soul and the human soul who is playing the role of Shanker at the
end of the cycle. During the Confluence Age, when we attain the
highest stage of being Shanker in the subtle region, when we are
soul-conscious, the world gets transformed through that. I have
explained this further in the articles in the series titled,
“Quantum Mechanics, Hinduism & Brahma Kumaris” . Our third eye
opens when we receive this Confluence Aged spiritual knowledge,
which I am discussing here, and we have to keep the third eye open
through continuing to contemplate on the Confluence Aged spiritual
knowledge. Just contemplating on the knowledge helps us to go
beyond and the third eye is thus opened or is kept open through
that.
Om Shanti
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| Sun, Jan 16 2011 03:32pm MHT 20 |
Pari
|
Title: Part 45 - Aliens, UFOs and
Parallel Universes - Parvati & Shiva (4 - Moon, Ganga, New
World)
Contents: Sometimes, the crescent on Shiva's head is placed near
Ganga, who is in Shiva's Jada or matted hair, so as to associate
the moon to the Confluence Aged spiritual knowledge and the
purification process which is represented by Ganga. Since Ganga is
also a role used by the Confluenced Aged souls who are transforming
into a beautiful moon, sometimes it is said that the Ganga gushes
from the moon, on Shiva's head, onto earth. The moon on Shiva's
head is also seen as the cup from which the intoxicating Soma is
drank and this is also a reason why Ganga is shown gushing out from
the cup or moon, sometimes. I will be discussing the significance
of soma and amrit in articles later on while I discuss the Hindu
story about the Churning of the Ocean. The moon on Shiva's head is
supposed to be born through the Churning of the Ocean and I will
also discuss this later when I discuss Soma and Amrit. Sometimes,
the moon is placed between the Third Eye and Ganga so as to
associate the moon to both Ganga and the Third Eye. The moon also
represents the creation of the new divine world which is also why
it has been placed near Ganga and the third eye. The role of Ganga
is a role that is played through the Confluence Age. The spiritual
knowledge which God gives through Ganga enables the soul, who
listens to the knowledge, to get purified. The purification process
which takes place through the soul bathing in God's vibrations
while listening to the spiritual knowledge through Ganga, only
takes place during the Confluence Age. Listening to the spiritual
knowledge given by Ganga helps to open the Third Eye. The
purification process which is represented by Ganga and the opening
of the Third Eye, help to bring in the new divine world at the
beginning of the new cycle of time. The lunar cycle has been
associated to the 5000 year cycle of time through the Hindu
scripture stories that had been created at the beginning of the
Copper Age. The new moon has sometimes been used to represent the
beginning of the new cycle of time when the divine world gets
created. The various phases of the moon have been used to represent
something or the other related to what happens at the end of the
cycle. The creative nature of the people creating the stories had
made them so this. The moon on Shiva's head is said to be the 5th
day moon and sometimes it is also said to be the 3rd day moon from
Amavasya. Amavasya falls on the day when there is no moon in the
sky. There is a monthly 'no moon' day which is the darkest night of
the month. This darkest night of the month represents the darkest
time at the end of Kaliyug. I will be discussing the Confluence
Aged significance of Amavasya later on. The new moon emerging out
of this Amavasya has sometimes been used to represent the New Age
or New world at the beginning of the new cycle. The moon on Shiva's
head has been said to be the third day moon so as to associate it
to the New Age in the new cycle. It is very difficult to see the
third day moon. This is similar to how it is very difficult to see
the creation of the new world through the subtle vibrations of the
Confluence Age. It is the fifth day moon which is visible and so
that moon was used to represent the new world that comes into the
visible form. It does not matter if the moon on Shiva's head is the
3rd
day moon
or the
5th
day moon.
What is important is the significance of that moon on His head. The
Crescent on Shiva head symbolizes the time cycle, at the end of
which comes the new creation at the beginning of the cycle. Through
this moon, Shiva is associated to the power of procreation along
with the power of destruction. Not only is a divine world created
through using God, but even the divine beings are re-created
through transforming the tamopradhan souls into the satopradhan and
sato state during the Confluence Age. The soul becomes more
beautiful like the full moon as it's spiritual light energy
increases through making effort to go beyond. The
3rd
day moon,
Ganga and the new divine world have also been associated through a
story in the Matsya Purana, which has been mentioned in the Sri
Hari-bhakti-vilasa. In this story, it has been said that on the
third day of the bright half of the moon in the month Vaisakha
(which is around April and May), the Supreme Lord Janardana started
the cycle of Satya-yuga, and made Ganga descend to the earth from
Brahmaloka. There are also various Hindu scripture stories as to
how the moon came on Shiva's head. I will be discussing these
later.
Om Shanti
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| Sun, Jan 16 2011 03:41pm MHT 21 |
Pari
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Title: Part 46 - Aliens, UFOs and
Parallel Universes - Parvati & Shiva(5 - Moon on Shiva's
Head, Nitya Kala)
Contents: One Hindu view is that the moon on Shiva's head is the
Nithya kala. Hindus say that the Nitya Kala does not wax and wane,
and that it always reflects the light of Brahman without any break.
The Crescent on Shiva head is supposed to represent the full moon.
All these represent the Confluence Aged souls who are ready for
world transformation. The moon, which we see in the sky, has 16
'kalas' or 'phases'. 15 of these 'Kalas or phases' are visible to
us while the 16th is beyond our visibility. The Crescent on Shiva's
head is a Kala or “phase of the moon” that represents the full
moon, which is why this crescent is called Nitya Kala. The word
Nitya means perennial, lasting an indefinitely long time, and
recurrent or appearing again and again. The 'long lasting' aspect
of the Nitya Kala relates to the full moon that does not wax and
wane because it represents the Confluence Aged souls in their
beautiful state during the Confluence Age. The soul never dies. It
exists eternally through what happens in the Confluence Age. The
'recurring' aspect of Nitya Kala is in relation to the Confluence
Aged souls constantly becoming like the full moon again and again
during every Confluence Age at the end of each cycle of time. This
will continue forever as the cycle keeps repeating. The ancient
people who had just walked out of the divine world had created very
beautiful and meaningful stories about what happens at the end of
each cycle of time and these stories can only be explained by them
at the end of the cycle of time, through their Confluence Aged
birth. In one Hindu scripture story, which had been created by
those ancient people, the moon had laughed at Ganesha on seeing him
fall off from his vehicle because his tummy was so big. Thus,
Ganesha had cursed that moon and so the moon lost it's beauty.
Ganesha felt ashamed for the wrong that he had done and did penance
to Shiva. Shiva showed his mercy by forgiving and putting the moon
on his Jada. Since Shiva blessed the moon, the moon became the
beautiful full moon again. This moon is represented by the 3rd day
moon from Amavasya. Hindus believe that if people see the 3rd day
moon (called Moondram pirai), their sins will all get washed away.
But it will be very difficult to see this 3rd day moon. It usually
cannot be seen with the naked eye. It is said that it would only be
visible for a few minutes in the evening of the 3rd day moon. The
moon on Shiva's head represents the moon that is first sighted when
the moon begins to wax. Hindus believe that one is very lucky if
one sees this moon in the sky. I think the Muslims also try to see
this moon to break their fast, after their fasting month. With
difficulty, the Muslims sight the moon with scientific instruments
and then, they celebrate. The celebrations represent the happiness
and joy that is experienced by the people world-wide, at the end of
the cycle, when all souls are about to return home to the Soul
World. Salvation and liberation is received at the end, just as
souls are about to return home with God to the Soul World. I was
told that it is very difficult to see the moon on the third day and
that one would definitely be able to see it on the 4th day. This
may be why it is stated in the Genesis that the Moon was created on
the 4th day of creation. There are various different legendary
stories world-wide which actually relate to the same event that
occurs at the end of the cycle, even though there are slight or a
lot of variations in the stories. The non-pagan religions have
adopted the stories and have given it their own meanings. There are
also a lot of variations in the Hindu scripture stories and people
have also given these stories a lot of different meanings, with
time. A soul who has come into the Confluence Age will not be
bothered by the differences in the stories. The soul who is in the
Confluence Age will know that these stories all relate to the same
Confluence Aged events. But those who are not in the Confluence
Age, and who are in their tamopradhan state, can fight with each
other based on the differences, not realizing that the stories were
just meant to relate the same Confluence Aged events and the
creative nature of the creators of the stories had made them bring
variety into the stories which is why the stories can seem
conflicting and different. If one knew what the story was meant to
portray, what does it matter if the story was related in a
different way for variety.
Om Shanti
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| Sun, Jan 16 2011 03:52pm MHT 22 |
Pari
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Title: Part 47 - Aliens, UFOs and
Parallel Universes - Parvati & Shiva (6 - 3rd, 4th and 5th
day moons)
Contents: Hindus say that if people see the 3rd day moon in the
sky, their sins will all get washed away. This is actually a
reference to what happens during the Confluence Age. Our sins are
washed away when, like Parvati seeing the moon on Shiva's head, we
keep seeing or remembering God and His Confluence Aged knowledge
which is for the creation of the new divine world. In the Hindu
scripture stories, Ganesha is shown cursing the moon for laughing
at him and for being so vain. Laughing at people's misfortune and
being vain involves the usage of the vices. At the end of Kaliyug,
we are in our most tamopradhan state and so we are influenced by
the vices to a great extent. Being in this state is like being in a
cursed state. This has been represented by the moon being cursed in
the Hindu scripture stories. Hindus say that one will experience
bad luck if they look at the 4th day moon, which represents the
moon which laughed at Ganesha. The moon actually represents the
Confluence Aged souls. These Confluence Aged souls will be in their
most tamopradhan state by the end of the cycle. They will be more
tamopradhan than all the other souls because they came into the
cycle earlier. So the moon is being shown as being in a cursed
state at the end of the cycle, in the Hindu scripture stories.
People being cursed by seeing the 4th day moon also reflects how
people can get hurt by the tamopradhan nature of deity souls, who
are in a very bad stage or ordinary stage, even though they are
supposed to be in the Confluence Age. Not only can these so-called
Confluence Aged souls hurt others but they can also hurt each other
which is why the Moon is shown to have hurt Ganesha and Ganesha is
shown to have hurt the moon. Both the full moon and Ganesha are
considered to represent the deity souls in the Confluence Age. When
one is in the Confluence Age, one cannot hurt anyone but when our
stage is very bad, we can say and do things which can hurt people.
The 4th day moon also represents the kind of people that exist at
the end of Kaliyug. In the Brahma Kumaris, it is said that one
should not look at the Kaliyugi's behaviour because if one did that
one can easily lose one's stage and behave like a Kaliyugi. If we
keep seeing something while we are in an ordinary state,
impressions of what we see are left on the soul and this influences
the soul to behave like that which we have been frequently seeing.
So BKs advise that if one happens to look at the behaviour of one
whose behaviour is tamopradhan, one should immediately turn one's
attention away from the person and turn it towards the Confluence
Aged spiritual knowledge which relates to the creation of the new
world. In this way, one would be able to watch what the other
person is doing and saying as a detached observer. A detached
observer is a person who is in the divine soul-conscious stage.
When we watch something while we are in the soul-conscious stage,
no impure impressions can be left on the soul because of the divine
state of the soul's energy. So BKs advise their members to watch
whatever is happening to, and around, them as detached observers
while maintaining a high stage. Even if a Confluence Aged soul was
behaving badly, it is like as if one is seeing something bad
because if our stage was in an ordinary state, impure impressions
can be left on the soul and this would make one become even more
impure. So one should look at a person when their stage is good.
That will leave good impressions on souls who are in their ordinary
state and it will influence them to behave in a divine manner even
though their stage is not high. So they will not be influenced to
do anything bad that will bring them 'bad luck'. When the
Confluence Age starts, the creation of the divine world begins in a
very subtle manner and people are not able to see it. This is
represented by the 3rd day moon. Then, as the Confluence Age
continues, people will see the Confluence Aged souls behaving badly
when these Confluence Aged souls are in a very bad or ordinary
stage because their effort-making is not good. This represents the
4th day moon. Then, finally, the most powerful Confluence Aged
souls will be ready and this brings in the creation of the new
divine world into a materialised or visible form and this is
represented by the 5th day moon. When the divine world gets created
into a visible form, all the Confluence Aged souls will be
up-lifted into a powerful stage and so they wouldn't behave badly
anymore and so the effects of the 4th day moon is over. The effects
of seeing the 4th day moon is overcome by seeing the 3rd day moon
because the tamopradhan deity souls, who are represented by the 4th
day moon, begin to transform into divine souls and this is
represented by the 3rd day moon. This theory about incurring bad
luck when we see the 4th day moon also represents how people seeing
the tamopradhan world at the end of the cycle, when the deity souls
are in a cursed state, are in a cursed world experiencing bad luck.
The 3rd day moon and the 5th day moon also represents the
Confluence Aged souls doing a lot good at the end of the cycle,
while they are in the Confluence Age and while having a good stage
during the Confluence Age.
Om Shanti
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| Sun, Jan 16 2011 04:06pm MHT 23 |
Pari
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Title: Part 48 - Aliens, UFOs and
Parallel Universes - Parvati & Shiva (7 - Ganesha Curses
Moon Story, Cursed Moon)
Contents: There are different Hindu scripture stories relating to
how Ganesha curses the moon. In one story, Naradha gave a very
precious and ever-lasting fruit to Shiva in Kailash. This fruit is
shown as a precious and ever-lasting fruit because it is the 'fruit
of service' which is carried into future births. It is shown as
being given in Kailash because the 'fruit' is earned through our
spiritual effort-making through the usage of the Confluence Aged
subtle regions. I have explained this fruit in other videos. In the
story, both Kartikeya and Ganesha started fighting to get this
fruit. Shiva was unsure as to who to give the fruit to. So Brahma
advised that the fruit should be given to Kartikeya and so Shiva
gave the fruit to Kartikeya. Ganesha got angry with Brahma because
the fruit was given to Kartikeya. So one day, Ganesha started
frightening Brahma with his beast-like appearance. The moon on
Shanker's forehead started mocking and laughing at this form of
Ganesha. Ganesha got angry and he cursed the moon. The moon lost
his beauty because of Ganesha's curse and so the moon hid himself.
The Hindu God Indra asked the moon to meditate while reciting a
mantra. The moon did that for 12 years, after which Ganesha blessed
him with his beauty again. So the moon became bright and beautiful
again. The moon meditating and reciting the mantra for 12 years
combines the Copper Aged bhakti to re-create the divine world to
the Power of Yoga in the next Confluence Age which finally makes
the deity souls beautiful again. The Hindu God Indra represents God
as the King of the deities in the Confluence Aged subtle region.
This story is different from the story where Shiva blesses the moon
after Ganesha curses it. But this story also relates to the
Confluence Aged events. For example the moon on Shiva's head
represents the deity souls who had become beautiful during the
Confluence Age. Then, it is like as if they are cursed when the
soul loses it's spiritual beauty by the end of the cycle. Then,
through God using the soul who plays the role of Ganesha, in the
next Confluence Age, and through using the blessed role of Ganesha
during the Confluence Age at the end of the cycle, the deity souls
become bright and beautiful like the full moon again. All these
different stories were created by the people who had walked out of
the divine world and it all related about the same Confluence Aged
events. The ancient people who had just walked out of the divine
world were not happy that they had just lost their divine world.
They felt like as if they were in a state which was similar to
being in a cursed state. This is also why the snake is shown as
being cursed in the Christian's Adam story. I have briefly
explained this part of the Adam's story in my other video clips. In
the Confluence Aged knowledge, the moon represents the Confluence
Aged souls, so, the ancient people associated the moon losing it's
beautiful full moon state as a sign of being cursed. The scripture
stories associated the cursed state of the Copper Aged people to
the cursed state of the Kaliyug people. Looking at both these
groups of people, represented looking at people who were influenced
by the vices. If one looks at or mixes with people who are
influenced by the vices, one can get hurt. One's own spiritual
state can get worse when one keeps looking at them. Thus, scripture
stories got created to state that if anyone looks at the moon, that
represents the moon that laughed at Ganesha, they will incur bad
luck. This also represents how the deity souls, as the cursed moon,
are unworthy of being admired by the end of the cycle and so people
should not turn their attention towards these deity souls until the
deity souls move into the Confluence Age again. No-one will admire
or be helped by the weak state of deity souls while they are in
their tamopradhan state at the end of the cycle. So no-one is
supposed to see the 4th day moon which represents them. This is
similar to the Pandavas being in exile, in the Mahabharata story.
Someone seeing the 4th day moon by chance, would have to reap the
consequences of the act. Hindus say that seeing the 3rd and the 5th
day moon are supposed to have the effect of removing the curse
which had been placed on them by seeing the 4th day moon. This
symbolizes that when we see the admirable qualities of the deity
souls, during the Confluence Age, we will see people world-wide
being helped to maintain a peaceful stage despite the destructive
events that take place on earth. We will also see the re-creation
of the new divine world. The 5th day moon also symbolises that the
Confluence Aged souls would not be behaving badly anymore. It has
to be noted that the 3rd day moon is invisible and one would only
be able to see the 4th day moon and the 5th day moon. This is
similar to how at the end of the cycle, at the beginning of the
Confluence Age, one would not be able to see the new world in the
materialised form. This is similar to how the 3rd day moon is not
visible most of the time. One would only be able to see the
Confluence Aged souls trying to do world service and one would be
able to see their tamo nature when their stage is not good. This is
represented by the 4th day moon. But after this, one will be able
to see the new world in the materialised way and this is
represented by the 5th day moon. It has also been said that one can
be freed from the curse, of having seen the 4th day moon, by
reading, repeating or listening to the story of how Lord Krishna
cleared His character in the story of the Syamantaka jewel which is
quoted in the Srimad Bhagavatam. This story of the Syamantaka jewel
also relates to what happens in, and through, the Confluence Age. I
will discuss this story later.
Om Shanti
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| Sun, Jan 16 2011 04:11pm MHT 24 |
Pari
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Title: Part 49 - Aliens, UFOs and
Parallel Universes - Parvati & Shiva (8 - Moon, Nitya Kala,
celebrations)
Contents: The moon on Shiva's head represents the Nitya Kala and
yet it also represents the time when the new divine world gets
re-created because these 2 take place together. When we become like
the Nitya Kala, constantly emitting God's light into the world, the
divine world gets created. During this time, when the world get
re-created, we get rejunevated and transform into divine beings.
This is why in the Hindu scripture story, Parvati is shown as
getting re-freshed when she looks at the moon on Shiva's head.
Parvati is seen like the mother of the corporeal world because she
serves to re-establish the new world while she keeps going beyond
through contemplation on God. As we keep making effort, we are in
the process of transforming into the divine deity souls. This also
means that we are in the process of re-creating the new world
because as the soul transforms into the divine state, the new world
is in the process of being re-create and the new body is also in
the process of being re-created for the transformed deity souls to
use in the new world. The Nitya Kala on Shanker's head represents
God acting through His instruments at the end of the cycle, through
which the divine world is re-created. This is why the moon is
placed in Shiva's hair as one of His ornaments. In our powerful
stage, during the Confluence Age, we are like God's decorations.
When we are in our most powerful stage at the end of the cycle, we
are also like the full moon reflecting God's light into the world.
So the Nitya Kala represents the full moon. The 5000 year cycle of
time is also represented through the moon on Shiva's head because
Shiva plays His greatest role at the end of the cycle as the
“Destroyer” of the old world and the creator of the new divine
world. Shiva plays this role through Shanker. He uses the human
souls, who use the role of Shanker, to re-create the divine world
and so Shiva has been associated to Shanker, making them
inseperable, like as if Shiva and Shanker are one and the same.
However, Shiva and Shanker are not the same soul. Shanker
represents “God using the human soul” which is why Shanker is shown
meditating all the time. It is the intense effort-makers who will
be able to play the role of Shanker, which is why Shanker has been
portrayed as an intense effort maker in the Hindu scripture
theories and stories. The Crescent on Shanker's head symbolizes the
end of the cycle of time, when the new creation is brought in. The
new creation begins at the end of the cycle, during the Confluence
Age, but people can't see the new world in the materialised form.
They will only be able to see it in it's materialised form at the
beginning of the next cycle of time. This is why the crescent on
Shiva's head is said to be the 3rd day moon. It would be almost
impossible to see the 3rd day moon. This is similar to how it is
impossible to see the new world now. It is only through divine
vision that people would be aware that the new world is in the
process of being created. This is why Amavasya has been given a lot
of importance in the Hindu celebrations. Amavasya begins a new
lunar cycle. The moon is a measure of time, and so the ancient
people, who had just walked out of the divine world, had used the
moon to represent the 5000 year cycle of time. The waxing and
waning phenomenon of the moon was used to symbolizes the deity
souls, the corporeal world and the cycle, going through the
spiritual ascension and then deterioration. During the first half
of the cycle of time, there is a divine world which is the fruit
enjoyed because of the spiritual ascension during the previous
Confluence Age. This is similar to the waxing of the moon until it
becomes the full moon. During the second half of the cycle of time,
there is a darkening time. This is similar to how during the 2nd
half of the lunar cycle, there is the waning of the moon. The deity
souls also lose their spiritual light just as the moon's light gets
reduced through the waning process. Then, at the end of the cycle,
the spiritual light in the deity souls begins to increase just like
the waxing moon. It is this which is given so much of emphasis to
through Hindu and other celebrations world wide. I will be
discussing Amavasya, Shivrathri, Deepavali and other Hindu
celebrations in my articles, later.
Om Shanti
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| Sun, Jan 16 2011 04:19pm MHT 25 |
Pari
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Title: Part 50 - Aliens, UFOs and
Parallel Universes - Comparing Mythologies & their
effects
Contents: I have discussed the Hindu scripture stories and gods a
lot before coming to this because I have noticed that people who
believe in aliens have already associated Anu, Inanna and Ishtar to
Shiva and Parvati. Through this association they are trying to say
that the Hindu gods are also aliens. But then, look at all the
spiritual meaning that the Hindu scripture stories and theories are
trying to convey. Parvati and Shiva can only be seen as aliens in
the sense that they do not belong to the ordinary dimensions that
exists in Kaliyug. In fact, there is a spiritual aspect to all the
ancient myths which relates to the re-creation of the divine world.
If one goes through the stories relating to Anu, Inanna, Ishtar and
others in the Sumerian / Babylonian mythologies, it would be
obvious that there are spiritual implications even in the Sumerian
/ Babylonian stories. Even the Egyptian stories convey a spiritual
meaning. The fact that the ancient Jews and Christians have also
accepted and adopted these stories into their religious teachings
signify that there is a religious aspect to the stories. The purity
of those ancient Jews and Christians would have enabled them to
accept the stories as auspicious events that had happened in
history. The people who had walked out of the divine world were
trying to provide something for devotion and the stories were also
for that, even though hidden meanings were inserted into the
stories which were to be used and understood at the end of the
cycle. The Hindu stories provide for the crowd that prefers
spirituality whereas the Sumerian stories provide for the crowd
that prefers a belief based on astronomy and a scientific fantasy
based on the believe in the existence of aliens. But all these
stories relate about the Confluence Aged events and that which
happens at the end of the cycle of time. The Hindu stories turn
people's attention to how the old world gets destroyed through
spirituality, by giving greater emphasis to the third eye and so
on. Through spirituality, the old world is destroyed in the
spiritual sense and also in the corporeal sense. The Sumerian
stories turn people's attention towards what happens in the
corporeal world, at the end of the cycle, through giving greater
emphasis to the destructive events that does or can happen in the
corporeal world. Thus, the Sumerians gave emphasis to Nibiru and to
the Great Flood, which will help to destroy the old world so that
the new can replace it. Actually, Nibiru represents the Soul World,
the Confluence Aged subtle region at the end of the cycle and the
possibilities of astronomical destructive events in the corporeal
world, at the end of the cycle. The Hindu stories and theories
helped turn many Hindus and others into yogis; whereas the Sumerian
stories turned everyone's attention outwards to the material world.
Thus, yoga became the speciality of the people of the east. Whereas
turning everyone's attention to the destructive events, at the end
of the cycle, became the speciality of the west. Since the
Christians' attention had been turned towards the corporeal world,
they found it easier to value science and wealth which helps
destroy the old world at the end of the cycle. The Hindu stories
and theories help in the sustenance of the world and it helps the
Confluence Aged souls to accept and understand the Confluence Aged
knowledge, which in turn brings an end to the old world through the
spiritual way. Thus, in a united manner, those who had walked out
of the divine parallel universe at the end of Tetrayuga, had
provided for various aspects which will all be helping them at the
end of the cycle. One has to agree that the Sumerian myths have
accumulated a lot of deity souls together by developing their faith
in the existence of aliens. Many who are influenced by these
Sumerian myths are waiting for the aliens and Anu who is supposed
to come back at the end of the cycle. The aliens actually represent
the Confluence Aged deity souls who are in the Confluence Aged
Parallel Universe. These Confluence Aged souls will be walking
through from the Confluence Aged subtle dimensions into the divine
corporeal dimension as the ordinary corporeal dimension transforms
into the divine corporeal dimension through their Power of Yoga
with God. As they walk through, it is as if God is also walking
through because of their Power of Yoga with God and because of
their entangled state with God. But God does not take any births in
the new divine world. He only takes everyone back to the Soul World
/ Nibiru when the world gets transformed into the divine world.
This discussion is continued in the next article.
Om Shanti........................................ The names and links for articles by Pari can be found at:
Global Brahma Kumaris - Pari's articles and videos
BK Pari has been writing books since 2014. These books have also been translated into various languages. For more information on all these books see List of books written by Pari.
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