Written by Brahma Kumari Pari, LL.B (Hons)(Lon), LL.M, PhD.
(posted on 25-11-2013)
Nakki Lake was Dug by Rasiya Balam, an Incarnation of Shiva
(includes a discussion on the Holographic Universe as the parents of Kunwari Kanya; Subtle World Drama consists of the Web-like Subtle World Drama and the Subtle Life Dramas; Subtle Birth Bodies or subtle Ka bodies or Subtle Birth-role Bodies; sounds through the causal world of the vices; quantum energies and subtle regions overlap the Subtle World Drama; myths as teaching aids; Parvati; my previous Nakki Lake ascetic birth; jugdement in the Judgement Hall of Osiris)
In the article “Nakki Lake: a Confluence Aged memorial on Mount Abu”, I have discussed the legend about how the devas had dug Nakki Lake as a protection against the wicked demon Bashkali. There is also another legendary version as to how Nakki Lake got created. According to this version, Rasiya Balam (an incarnation of Shiva) had dug Nakki Lake, overnight, because he wanted to marry his sweetheart Kunwari Kanya (the incarnation of Parvati). So Nakki Lake is being referred to as the ‘love lake Nakki’. It has been foretold that the couple would one day return, as Shiva and Parvati. It was also foretold that, after their return, there would be up-heaval in the universe.
In the legend, the parents of Kunwari Kanya did not want Rasiya Balam, who was an old sage, to marry their teenage daughter. So, in front of the sage, they declared that they would only marry their daughter to the person who could dig the lake, overnight, with his nails. Thus, Rasiya Balam began digging the lake and he was going to succeed in digging it before the sun rises. When the parents of Kunwari Kanya saw that Rasiya Balam was about to accomplish the impossible task, they went to the gods for help. They asked the gods to help them to prevent the old sage from marrying their daughter, who was only a teenager. So the gods had imitated the cock and crowed before sunrise so as to announce daybreak. As a result, Rasiya Balam stopped digging. What he had dug became Nakki Lake. The depth of the Nakki Lake is not the same at all the places, in the lake, because Rasiya Balam stopped digging. In some places, the depth of Nakki Lake is only around 20 feet; while in other places, the depth of Nakki Lake is around 80 feet.
Rasiya Balam was portrayed as being an old man because God uses an old man, at the end of the cycle. The old sage, Rasiya Balam, represented Brahma Baba who was used by God to establish the Brahma Kumaris. Since God had entered the body of Brahma Baba to give the Godly messages called ‘sakar murlis’, Rasiya Balam was portrayed as an incarnation of Shiva. He was portrayed as an incarnation of Shiva because God is referred to as Shiva in the Confluence Age.
Kunwari Kanya represented the deity souls. Kunwari Kanya was portrayed as a teenager so as to represent that that it was too early for the deity souls to become Parvati, since it was only the Mid-Confluence. The Confluence Aged souls are the matured Parvatis since they listen to the sakar murlis. It is after the deity souls mature, through listening to the sakar murlis, that they become Parvatis. The deity souls were not listening to the sakar murlis, during the Mid-Confluence. So the deity souls were in an immatured state. Since it was not time to use the deity souls as Parvati, Rasiya Balam could not get married to his sweetheart during the Mid-Confluence.
The parents of Kunwari Kanya represent:
1. the Subtle World Drama, in the Holographic Universe. This is the ‘Father’ aspect of the Holographic Universe.
2. the Quantum Energies (the creative force) which materializes what is needed in the physical world, based on what exists in the Subtle World Drama. This is the ‘mother’ aspect of the Holographic Universe.
What is in the Subtle World Drama is based on:
1. the World Drama that exists within the Supreme Soul (God),
2. the world dramas that exist within all human souls, and
3. the role of the corporeal world for Mankind in the corporeal world.
Thus, the Subtle World Drama is like the ‘father’ aspect which plays a significant role for whatever is taking place on earth. This Subtle World Drama consists of:
1. the Web-like Subtle World Drama, and
2. the Subtle Life Dramas.
The path which each soul takes, after coming into the corporeal world, is projected into the Subtle World Drama to form a web-like structure in the Subtle World Drama. For convenience, I shall refer to this web-like structure as the ‘Web-like Subtle World Drama’. The path which each soul takes crosses the paths of other souls, in the Web-like Subtle World Drama, during the times when the souls have to meet on earth. Normally, during subtle experiences, people only see the path which they have taken or are taking, in the Subtle World Drama, since that is what is within their soul. They will not see the paths of the other souls. It is only when one has an experience of the ‘wider view’ that one would realize that the Subtle World Drama looks like a web.
What is in the Web-like Subtle World Drama is expressed in the Subtle Life Dramas (subtle life movie form) which is entangled into the Web-like Subtle World Drama. The souls are using Subtle Birth Bodies (subtle Ka bodies or Subtle Birth-role Bodies) while participating in the Subtle Life Dramas. The Subtle Birth Bodies look exactly like the human bodies which we use. As we grow up, our Subtle Birth Bodies also grow up. It would be more accurate to say “As our Subtle Birth Bodies grow up, we also grow up on earth”. I have begun a discussion on the Subtle Birth Body (subtle Ka body) at:
Egyptian Ka (before Marduk’s influence)
Many souls participate in a Subtle Life Drama when their paths cross in the Web-like Subtle World Drama. There are many Subtle Life Dramas in the Subtle World Drama since everyone, on earth, are not in the same spot at the same time. The Subtle Life Dramas are everywhere in the Subtle World Drama; exactly like how the life dramas are all over the place on earth. Whatever we do is part of the life drama which we are involved in, on earth. Whatever is taking place in the Subtle Life Dramas are taking place on earth, as Life Dramas on earth. All our Life Dramas are part of the World Drama that is taking place on earth.
Since the Subtle Life Dramas and the Web-like Subtle World Drama are part of the Subtle World Drama, it is more convenient to refer to both of them as the Subtle World Drama. The ‘father’ aspect, in the Holographic Univese, is the Subtle World Drama.
The Subtle World Drama and the Quantum Energies work together, like a married couple, for what has to happen on earth. What is in the Subtle Life Dramas is expressed, on earth, through the Quantum Energies (the creative forces). So the Quantum Energies are like the ‘mother’ in the Holographic Universe. What has been expressed on earth is the ‘daughter’ of the Holographic Universe (which consists of the mother and father aspects). So Kunwari Kanya was portrayed as the daughter of the Holographic Universe. I am giving this explanation, of how the Holographic Universe plays the role of the parents, based on the Rasiya Balam Legend. There are also other ways of explaining what is done through the Holographic Universe etc.
The ancient people had tried to teach Quantum Mechanics, the Holographic Universe, spirituality, history etc in their myths and religious texts. Modern day people are not able to understand a lot of these because :
1. the sciences were stopped, during ancient times, because of misuse.
2. history was not being related properly because many people were trying to leave their footprints behind for fame, etc.
3. spirituality was not properly taught because the Aryans and Anaryans were later trying to confuse each other.
Many of the myths were teaching aids to understand the sciences, history, spirituality, etc. So, when the sciences were stopped and spirituality etc were being confused up, people stopped understanding the teaching aids. This is similar to how we use VIBGYOR to remember the order of the 7 colours in the rainbow (Red, Orange, Yellow, Green, Blue, Indigo, Violet ). If people stopped teaching this knowledge about the colours of the rainbow but people still remembered VIBGYOR, the future generations are not going to understood much about VIBGYOR. This is similar to how a child will not understand anything about VIBGYOR until he is taught what it means. VIBGYOR would be meaningless without the knowledge about the colours of the rainbrow. People might try to guess what it means. However, they will not really understand it until the science is understood again and someone is able to make the connection.
Rasiya Balam can also be said to be God’s role in the Subtle World Drama, in respect of what has to happen for the next creation of the Golden Aged world. It begins in the Mid-Confluence with what the Mid-Confluence Aged gods were doing. Then, it continues at the end of the cycle (now). God’s role is not a ‘son’ of the Holographic Universe because God does not take birth in any womb, on earth. So Rasiya Balam was not portrayed as the ‘son’ of the Holographic Universe.
The Holographic Universe was not allowing Rasiya Balam to get married to Kunwari Kanya because it was not there, in the World Drama, for Shiva and Parvati to get married, during in the Mid-Confluence. Thus, the parents of Kunwari Kanya were portrayed as not wanting to get their daughter married to Rasiya Balam. Though the marriage only takes place at the end; preparations were being done, during the Mid-Confluence, so as to make sure that Shiva and Parvati marry at the end. So the role of Rasiya Balam began in the Mid-Confluence.
The parents of Kunwari Kanya were portrayed as declaring that only the one who could dig the lake could marry their daughter because it is only God who can create the true spiritual Nakki Lake and it is only God who can marry Parvati. This is reflected in the Subtle World Drama of the Holographic Universe. It is as if a declaration is being made by the Holographic Universe that: only God Shiva can marry Parvati and He can only marry her after doing what needs to be done, in the subtle and corporeal worlds, for the creation of the true spiritual Nakki Lake.
Rasiya Balam was portrayed as beginning to dig Nakki Lake so as to marry Kunwari Kanya because God has to create the Confluence Aged subtle region, give the Confluence Aged spiritual knowledge, guide the deity souls into the Confluence Age and keep helping them to become spiritually powerful so that He can get married to His Parvatis. As God is doing all this, it is as if He is creating the true spiritual Nakki Lake. The Nakki Lake in Mount Abu is just a memorial of what God had done, at the end of the previous cycle.
The gods were portrayed as crowing too early because it was not the time for bringing in the Golden Aged world, during the Mid-Confluence. The cock crows to announce the new day. The ‘Day’ represents the Golden Aged world. Through the Confluence Aged spiritual effort-making, the Confluence Aged souls bring in the Golden Aged world. The Mid-Confluence Aged devas were not the Confluence Aged spiritual effort-makers because the Golden Aged world only gets created at the end of the cycle.
It was portrayed that Rasiya Balam was going to succeed in digging the lake before sunrise and then, he stopped digging because :
1. when the Copper Aged mapmakers begin to play their role, at the end, it will look like as if they are going to succeed in taking everyone across into the new ‘Day’ (Golden Aged world). However, it is not the Copper Aged mapmakers who bring in the true divine Golden Aged world. It is the Confluence Aged spiritual effort-makers who bring in the true divine Golden Aged world. The role of the Copper Aged mapmakers will come to an end, just before the world transforms into the true divine Golden Aged world. So the work, of the Copper Aged mapmakers, stops. Rasiya Balam was for what is begun by the Copper Aged mapmakers, during the Mid-Confluence. At the end, God Shiva is not playing the role of Rasiya Balam.
2. during the Mid-Confluence, it was as if the Mid-Confluence Aged gods were going to succeed in re-creating the Golden Aged world. Rasiya Balam was portrayed as having stopped digging because the Mid-Confluence Aged gods had stopped trying to re-create the Golden Aged world, during the Mid-Confluence, since they began to realize that they had crowed too early to announce the ‘Day’ (Golden Aged world).
Nakki Lake was dug during the Mid-Confluence so as to portray that Enlil, and the other Mid-Confluence Aged gods, were trying to re-create the Golden Aged world in the Mid-Confluence. They wanted to bring back their perfect world into existence. Thus, they took over from the asur gods, in an attempt to re-create the perfect world. However, with time, they began to realize that they were not succeeding. The world was only getting into a worse state. The Mid-Confluence Aged gods also began to know that the Shiva-Parvati marriage was not meant to take place in the Mid-Confluence and that it was only meant to take place at the end. They began to know this because they became aware of what was in the Subtle World Drama of the Holographic Universe. Thus, in the legend, the parents and the gods (together) were portrayed as preventing Rasiya Balam from marrying his sweetheart. It was the gods who had, finally, prevented the marriage from the taking place. This portrayed that it was the Mid-Confluence Aged gods who had made the decisions to stop their attempts to re-create their perfect world, in the Mid-Confluence.
The parents of Kunwari Kanya had declared that they would only marry their daughter to the person who could dig the lake, overnight. The ‘overnight’ requirement was to portray the involvement of the role of the Copper Aged mapmakers and their journey through the night. The journey of the Copper Aged mapmakers have been portrayed as a journey through the night, even, in the Egyptian myths. These Copper Aged mapmakers were making the journey to the end so that Shiva and Parvati can get married, at the end. What the Copper Aged mapmakers do, will increase the faith of the Confluence Aged spiritual effort-makers. This, in turn, will help to get them married to God Shiva.
This legend was also trying to let it be known that both (the devas and the asur gods) were involved with the creation of Nakki Lake, during the Mid-Confluence. It portrays how the devas got carried away with trying to recreate the Golden Aged world, during the Mid-Confluence, while the Copper Aged mapmakers were trying to create the practices for the journey in the night (after which the Copper Aged mapmakers will succeed in playing their roles well, at the end).
During the Mid-Confluence, when the Anunnaki (rulers of the 4 kingdoms of Bharath, Lemuria, Mu and Atlantis) were playing a role among the people on earth, they were portrayed as the incarnations of Vishnu, Shiva etc. This was also why even Rasiya Balam was said to be an incarnation of Shiva. All those acting on the instructions of the Anunnaki, to do something as Rasiya Balam (the instrument of God), were also playing the role of Rasiya Balam. Thus, it was not just one person who had dug Nakki Lake, during the Mid-Confluence.
There are also more than one Parvati, now. All Confluence Aged souls are Parvati, God’s wife, if they are involved with God’s Confluence Aged service. The Nakki Lake legend connects all these Confluence Aged Parvatis to the establishment of the true spiritual Nakki Lake. However, the Nakki Lake legend had seemed so significant for me because of what had happened to me, at the end of my previous life.
From 1996 I was having visions that I was Parvati, God Shiva’s wife, who resided with God Shiva in the subtle region which was filled with golden light. But I did not know that this was one day going to get connected to the Nakki Lake legend. At that time, I did not know of this legendary version which connects Parvati to Nakki Lake.
In the article “ Pulled by the Corporeal and Stuck in the Holographic Universe”, I have explained about souls getting stuck in the Holographic Universe, as a ghost. I had written that article based on the understanding which I had received and experiences, as a ghost, at the end of my previous birth (before the present birth). I had got stuck in the Holographic Universe because it would help me now.
In my previous life, I became a yogi when I was quite young. I had left my guru and had gone to Mount Abu, to live an ascetic life. It began to rain heavily. So the area around Nakki Lake was flooded. I did not know that there was a lake in the area. So I had not realized that I was going to step into Nakki Lake. Since I could not swim, I drowned. Then, I had stayed there, as a ghost, for around 100 years. For convenience, I am going to refer to this previous birth as my “Nakki Lake ascetic birth” so as to distinguish it from all my other past births when I was also living an ascetic life.
When the Brahma Kumaris had established their headquarters near Nakki Lake, I was still a ghost around Nakki Lake. Then, the dhristi (Godly spiritual vibrations) given through one BK sister, had sent me off to take my present birth. I was born in Malaysia, in 1959.
Past births had emerged, even before I came to the Brahma Kumaris. However, I only remembered this incidence, of my previous birth’s death, in 1996; after I came into the Brahma Kumaris and had met the BK sister (from whom God’s dhristi had made me take my next birth). I subtly recognized what was done through her and so I remembered.
After remembering, how I was forced to leave Nakki Lake to take my next birth, I had become very angry with the BK sister (from whom God’s dhriti had sent me off from Nakki Lake). I was angry because I had been sent off from the area around Nakki Lake. I was also angry with the other BK sisters (who had lived in Madhuban, during Brahma Baba’s time) because I had felt that they had taken over the lands, near Nakki Lake, which were mine. I had felt that the area around Nakki Lake was mine because I was roaming around there as a ghost. Since I was a lawyer, my feelings did not make much sense to me. So I kept telling myself that just because I was attached to that place, as a ghost, the place cannot belong to me. I was telling myself that I was not the registered legal owner and so the place cannot be mine. Through this and the BK spiritual effort-making, I got over the attachment to those lands. When I got over the attachment to those lands, the anger towards the BK sisters automatically disappeared; without any serious efforts on my part. I had to only remove the cause for the anger.
The attachment to the lands around Nakki Lake was still within the soul, when I was remembering what had happened to me. Thus, the ‘attachment’ was making me (the soul) get angry, in the present birth. If that attachment is removed; then, there is no reason why I should be angry. The fact that I was getting so angry suggests that it must have been a very strong attachment.
I (the soul) had attachment to the area around Nakki Lake because I (the soul) was not willing to leave the body, which was in that area. The attachment to Nakki Lake must have also developed because of the reason why I went to Nakki Lake. I had gone there to achieve something, as an ascetic. So I may not have been willing to leave the place, since I had not achieved what I wanted to achieve.
I am not attempting to know the reasons why I had gone to Mount Abu because I do not want to get pulled into those experiences again. Further, from 1996, whenever I had tried to look into the memories etc of my past births, I would get pulled into darkness. As I was being pulled into this darkness, it would feel like as if I was being pulled into the very depths of hell where I was experiencing unbearable pain. I would understand that I was experiencing that unbearable pain because of something which I had done in the past birth. As I try to bring myself out of the darkness and into the Confluence Aged subtle region, I would see God’s Light in the distance (offering me a helping hand to get out of there). I would grab hold of God’s Helping Hand and pull myself back into the lovely pure Confluence Aged subtle region. This had happened so many times that I dare not try to look into my past lives.
It may be possible that my link to God gets weaker when I try to dive into, or look at, the memories of past births. Thus, instead of enjoying God’s protection which we have in the Confluence Aged subtle region, I must be experiencing pain as it is experienced on Judgement Day. Maybe these experiences also had something to do with my past births trying to become the Copper Aged immortals. They have to face judgement, in the Judgement Hall of Osiris, so as to play a role in the afterlife. Only my Mid-Confluence Aged past birth (Enki) does not have to face judgement, in the Judgement Hall of Osiris. Enki is the instrument who is used by God, so as to play the role of Osiris, in the Judgement Hall of Osiris.
A lot of my past births had tried to become a Copper Aged Immortal. However, only a few have passed the tests etc in the Underworld, so as to emerge and play their role now. Only the worthy ones will pass the jugdement, in the Judgement Hall of Osiris, so as to emerge and play their Copper Aged Mapmaker role now. In my articles, I have begun discussing their journey in the underworld. However, I have not completed my discussions on it and on the jugdement, in the Judgement Hall of Osiris.
I am not interested in experiencing pain, while it is like as if I was in the very depths of hell. If memories emerge, on its own or because God has emerged it, I will observe it during the experience. After the experience, I would analyze it so as to understand it better. I am able to maintain a blissful stage, during these experiences. So I like having these experiences.
Before 1996, I had not known of how I had died in my previous birth. I used to be afraid of going into water but I did not understand why. When I was a little girl, my family members had helped me to get over the fear of going into the water. But I was still afraid. When I read of how sages had drowned in India, in ancient times, I did not like to continue reading. I would get angry. But I never understood why.
Months after remembering how I had died in my previous birth, I was listening to a BK song (during meditation) in the Bangsar BK center in Malaysia. The words in the song was to the effect “I was waiting for you, Brahma Baba”. As I was contemplating on those words, I was given the understanding that I was waiting as a ghost, near Nakki Lake, because I was waiting for Brahma Baba to come there; and he did come there, as per the World Drama, so as to establish the Brahma Kumaris headquarters. The Brahma Kumaris headquarters (Madhuban) is around 200 meters from Nakki Lake. It takes around 3 minutes to walk to Nakki Lake from Madhuban. This was also a reason why Rasiya Balam was portrayed as an old man. The legend portrayed that Brahma Baba will come there and God will use him to begin digging the true spiritual Nakki Lake, so that God can get married to His Parvatis.
From 1996, when I was remembering what had happened to me in my previous birth, I was also seeing visions of what I was doing as a ghost. Maybe God was giving me these visions :
1. because I was trying to understand what had happened to me, and
2. so that I can play my role well now.
In these visions, I could see the subtle Ka body of my Nakki Lake ascetic birth floating around where the BKs were and attempting to do what the BKs were doing (in Madhuban). He was trying to become one of them. However, he could not do the things which they were doing. It felt like as if he was being choked and suffocated when he was trying to do something, with them, which needed the use of the corporeal body.
While I was a ghost near Nakki Lake, the BKs and I were in 2 different kinds of subtle dimensions. However, both subtle dimensions were connected to the same physical area, around Nakki Lake. Since I could subtly see what was happening in the physical world, around Nakki Lake, I could subtly see what the BKs were doing. However, I could not participate, though I wanted to. There were no thoughts in my mind, as I was watching and trying to participate with the BKs. So I don’t think ghosts can create thoughts. One needs to have a physical body, so as to make decisions and to create thoughts.
In the visions, the subtle Ka body of my Nakki Lake ascetic birth was having a smile, on his face; though no thoughts, feelings or desires were being expressed through his subtle Ka face and body. The subtle Ka body is the energies of the soul, which form the subtle Ka body of that birth, in the World Drama that exists deep within the soul. These energies of the soul, which form the subtle Ka body, are not involved with the functions of the mind, intellect and memory bank. Thus, the functions of the mind, intellect and memory bank are not reflected through the Subtle Ka body. I have discussed the mind, intellect and memory bank at:
Mind, Intellect (Third Eye) and Memory Bank (Sanskaras) of the Soul
The subtle Ka body of my Nakki Lake ascetic birth was also not having any emotions because the subtle Ka body will be doing exactly what the physical body is doing. Since the soul was not using the physical body, nothing was also reflected through the subtle Ka body. The smile on the subtle Ka body reflected that the pure energies of the soul were being used to create that subtle Ka body and that no vices were being used by the soul as the subtle Ka body was roaming around etc.
The soul is influenced to do something based on strong habits, traits, desires, memories and roles that are within the soul. During each birth, we will be born with certain traits. The subtle Ka body, which is in the World Drama (within the soul), has these traits which are meant to be used when the soul takes that birth. For example, my previous Nakki Lake ascetic birth may have had some traits which would have influenced him to become an ascetic. These traits would have been part of his subtle Ka body, which is within the World Drama of the soul. These traits can also influence what is being done through the subtle Ka body, when one is a ghost etc. Thus, those traits might have influenced my Nakki Lake ascetic birth to hang around the BKs, since they were also on the spiritual path.
My previous Nakki Lake ascetic birth may have also developed desires and traits, while he was on the spiritual path. This may have also influenced him to try what the BKs were doing.
However, there may have been something even stronger, deep within the soul, which had influenced my Nakki Lake ascetic birth to mix with the BKs etc. One of these may have been the fact that the roles which we use, during the Mid-Confluence and Confluence Age, leaves strong sanskaras (traits, memories etc) within the soul. These sanskaras tend to influence the soul in all its births because these sanskaras are so strong. This may have influenced my Nakki Lake ascetic birth to go to Mount Abu and also to try to become one of the BKs while he was a ghost. He may have also gone to Mount Abu and had tried to mix with the BKs because it had to happen, as per the World Drama.
Some people say that they can hear a ghost weeping or they can hear some other sounds indicating the presence of the ghost. That happens through the Causal World of the Vices. The causal world is used to do magical things.
The metaphysical form is the Causal Body in the Causal World. One takes on the metaphysical form when one feels that one is the ‘soul’. If the vices are in an emerged state within the soul, while one is in the metaphysical form, then the vices become the Metaphysical Causal Body in the Causal World.
During my experiences from 1996, I was of the view that I was a good ghost and that there were other bad ghosts around Nakki Lake. The bad ghosts had vices in an emerged state and they were influenced by the vices. I formed the view that I must have been a good ghost because I was an ascetic when I died. Ascetics are supposed to remain virtuous, no matter what happens to them. So I may not have had any help, from the Causal World of the Vices, so as to do something or the other.
The quantum creative energies have to provide what is needed on earth, based on what exists in the Subtle World Drama. Thus, they overlap the Subtle World Drama, to a small extent. There is a quantum aspect to the subtle bodies which are participating in the Subtle Life Dramas, of the Holographic Universe, because the quantum energies have to provide what is needed on earth. However, not all subtle bodies have the quantum aspects. I will be discussing this further when I discuss the role of the quantum energies in the Holographic Universe, the various kinds of quantum energies and dimensions, and how the subtle regions overlap the Subtle World Drama to varying different extents.
The Confluence Age subtle region overlaps the Subtle World Drama, a little, and extends beyond the Holographic Universe. Other subtle regions overlap the Subtle World Drama and then extend down into the corporeal world. The subtle world of ghosts overlaps the Subtle World Drama and then extents deep down into the corporeal world like as if it is in a badly sunken state. The ghost remains stuck at that point, in the Subtle World Drama, and it goes into another parallel world which exists in the place where it is attached to. The ghost is not flowing along in the Subtle Life Drama which all the others are participating in, while they are playing their roles on earth.
It is only recently, in October 2013, that I got to know of the Nakki Lake legend which is a romantic tale about the couple who were the incarnations of Shiva and Parvati. So, from 1996 onwards, I could not understand why I had to wait in Mount Abu as a ghost. From 1996, I was also experiencing pain while I remembered the time when I was roaming around as a ghost. Thus, I was wondering why such a thing had to happen to me. However, with time, I began to understand that I had to remain as a ghost because it will help me to easily attain the subtle form, in this birth. God would be using me for entertainment through visions etc that was meant to take place, at the end. I am God’s wife, Parvati, as God uses me for these visions etc. When I got to know of the legend connecting Parvati to Nakki Lake, it had felt like as if the Mid-Confluence Aged gods knew of what would be happening to me. So they had created the legend for me; so that it can guide me to play my role better, now.
It is my view that I can understand the Holographic Universe better than the others because I was stuck in it for so long, at the end of my previous birth. Sometime around 2003, an ex-BK had told me that he was of the view that we were living in a Holographic Universe. But he could not explain the Holographic Universe theory to me. Recently, when people were asking me questions about the World Drama, subtle regions etc, some were also asking me to explain the whole picture of how everything fits in with each other. I decided to try to explain the Holographic Universe based on all my experiences, etc. One of the reasons why I could explain it, as I have, was because I was stuck in it for so long, at the end of my previous birth. Having been stuck, in the Holographic Universe, has helped me to have a specialty which God could use for service, at the end (now). God uses everyone based on their specialties. Though I use the Copper Aged mapmaker role, I am also involved with God’s Confluence Aged service, as Parvati. God uses His wives (Parvatis) based on the specialties which they have.
Having been stuck in the Holographic Universe for such a long time, at the end of my previous birth, is also helping me to easily understand the history that exists in the Subtle World Drama. While I am explaining the ancient evidences that have been left behind, as a Copper Aged Mapmaker, I am also explaining history from the Ice Age until the decline of Buddhism in India. The ability to easily go into the Subtle World Drama, of the Holographic Universe, will help me to explain history.
The legend about Rasiya Balam digging Nakki Lake for His sweetheart was to make sure that I remain as Parvati (God’s wife) at the end. It was to make sure that I do not get carried away with the Copper Aged Mapmaker role.
Everything happens as per the World Drama, so we don’t really have a choice. Maybe, I took a leap from 100 year ago to the present time because, in many of my past births, I had used the practices which were meant to help me to take a leap to the end of the cycle. I was using those practices so as to use the Copper Aged Mapmaker role, at the end. The immortal nature of this role is the Copper Aged Reptilian/Naga role. Other names have also been given to this role depending on which angle we are viewing it from. The practices for turning us into the immortal gods etc were not supposed to turn us into ghosts; and so I was continuing to take births. Since I was involved with the practices to take a leap, God may have allowed me to take a leap to the end, as per the World Drama. It was only a 100 year leap, from the end of my previous Nakki Lake ascetic birth to now, and not a leap from the Copper Age until the end. However, it was still a leap to the end.
Around 1979/1980, I was being taught how to swim since it was part of my course in college. The minute I went into the swimming pool, I would grab the bar at the side of the pool and I would not dare to let go of it. From there, I would just watch the lecturer teaching the others to swim. I was the only one doing this. Despite that, I continued to do this in all the subsequent lessons until one day, when the lecturer made the comment that those who do not know how to float and swim are going to fail the tests. That evening, after college, I asked my girlfriends if they could hold onto me while I leant how to swim. I did not want to fail. So a huge group of my girlfriends went with me to the swimming pool every evening, after college. They would hold me while I leant to float and swim. Instead of continuing to hold me, all the time, they would let go of me; even though I kept telling them not to let go of me. Through their help, I learnt to swim and I passed my floating and swimming tests. It may be possible that these memories had also influenced my past birth, in the Mid-Confluence, to get the Nakki Lake constructed like a huge swimming pool with a lovely surrounding. The Mid-Confluence Aged gods may have got it built so that I would be able to take a dive there, at the end of my previous Nakki Lake ascetic birth. This dive into the pool, at the end of my previous birth, would help them to succeed in the project which they had begun for the end. Having created the lake; they had also let it be known that they had crowed too early, during the Mid-Confluence, to announce the new Day (Golden Aged world). This was made known through the Nakki Lake legend.
In the legend, Rasiya Balam was fulfilling the requirement of digging Nakki Lake with his nails. This represented that :
1. the Mid-Confluence Aged people were using rake-like or fork-like gadgets that looked like a hand with fingernails, when they were digging Nakki Lake.
2. the Mid-Confluence Aged people had worked very hard for getting the lake and everything else created for the second half cycle. It was an impossible task and yet they had almost accomplished it. They had left behind instructions, on what had to be done by the subsequent people, so as to accomplish the task. Many of these people had done what they had to, as per the Anunnaki plan. However, others had not done what they were supposed to do. So it was as if the task, of the Copper Aged Rasiya Balam, was not completed. This was also a reason why the legend portrays that Nakki Lake was not completed.
The Mid-Confluence Aged gods were involved with re-creating a new world, for the second half cycle; since the old world was getting pulled into the earth, through earthquakes. Thus, in the legend, they portrayed themselves as Rasiya Balam digging a new lake for the new cycle. Nakki lake had remained until now because it was something which the Mid-Confluence Aged gods had created for the second half cycle. It was meant to be a memorial that will be explained, at the end.
The Mid-Confluence Aged gods gave instructions for the Temple of Rasiya Balam and Kunwari Kanya to be built behind Dilwara Temple. This reflects that the Mid-Confluence Aged people had given importance to the return of Shiva and Parvati. It also reflects that the people were waiting for the return of Shiva and Parvati.
The Temple of Rasiya Balam and Kunwari Kanya (the Shiva and Parvati incarnations) is located behind the Dilwara Temple so as to connect the Dilwara Temple to the Nakki Lake. According to legend, Rasiya Balam (the Shiva-incarnate who dug Nakki Lake) is the sculpture of Dilwara Temple. In later articles, I will be discussing this when I discuss:
1. the true Confluence Aged Dilwara Temple,
2. how the Rajputs, who had emerged from the Agni Kund, were instructed to complete the task of building Dilwara Temple etc,
3. how the Mid-Confluence Aged gods paved the way for the Jain religion.
I will discuss Dilwara Temple etc, after I discuss Gaumuk and the rock formations in Mount Abu which are also memorials that had been left behind for the end.
Om Shanti
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NB: All my articles are based on time moving in a cyclic manner, in the order as follows:
1. the divine world in the first half cycle: involving the Golden Age (Satyug) and then the Silver Age (Tetrayug).
2. the Confluence between the Silver and Copper Ages: where the world transforms back into the ordinary state (after a vice was entertained). For convenience, I refer to this Confluence as the Mid-Confluence.
3. the ordinary world of the second half cycle: involving the Copper Age (Dwapuryug) and then the Iron Age (Kaliyug).
4. the Confluence Age (at the end, now): through which the world is transformed back into the divine Golden Aged world.